Historically, Ladakh in the Western Himalayas was a significant nexus of Trans-Himalayan caravan trade, and thus exhibited a significant hybridity in its material, linguistic, religious, and musical culture. In this paper, I examine the rise of Ladakhi popular music in and through these crossroads, paying attention to themes of hybridity. I look at the development of Ladakhi ethnic, political, and musical identity, and the role of government, non-governmental organizations (NGOs), and individuals with regard to the rise of new musical genres. Accompanying the historical survey of the music is as discussion of the evolutions of textual content. Changes in mass media technology and economics have had a profound effect on this remote region, and have shaped how cultural identity is negotiated by both song writers and consumers of popular music
