This paper is a comparative study of three traditions that reflect the African diaspora: the Zulus of New Orleans, the black Indians of New Orleans and the Congo ritual of Panama. In all practices, the participant is transformed from citizen/worker/family member into an empowered being whose role is intricately connected to the reinforcement of cultural and community ties. In addition to presenting an overview of each tradition, I will discuss shared themes, parallel characterization, approaches to masking and comment on the interest of established practitioners to transfer their talents and histories to younger members of the community
