Composition for Flute, Bass Clarinet, Piano and Electronics



Public Concert at Department of Music Durham University

Part of DurhamKLANG14 Festival



Richard Craig: Flute

Dov Goldberg: Bass Clarinet

John Snijders: Piano

Marc Estibeiro: Composer and Electronic

ESTIBEIRO, Marc

STORE - Staffordshire Online Repository

	  	   Marc	  Estibeiro	  	  	  	  Interventions	  	  	  	  	  For	  Flute,	  Bass	  Clarinet,	  Piano	  and	  Live	  Electronics	  	  	  	  Approximate	  Duration:	  10’20”	  	  	  	  Score	  at	  Concert	  Pitch	  	  	  	  	  	  	  Guide	  to	  Notation	  	  General	  marks	   	   	  	  ord.	   Cancels	  previous	  articulation	  	  	   Tremolo,	  always	  played	  as	  fast	  as	  possible	  	  	   Change	  gradually	  from	  one	  mode	  of	  articulation	  to	  another	  	   	   	  	  	   	   Crescendo	  dal	  niente	  	   	   Diminuendo	  al	  niente	  	  	   Pause	  for	  the	  indicated	  duration	  while	  the	  electronic	  part	  plays	  	   	   	  	  Flute	   	   	  	  flz.	   Fluttertongue	  	  	   Tongue	  ram	  	  	   Timbral	  trill	  	  	   Whistle	  tone	  	  	  	   Change	  gradually	  from	  wind	  tone	  to	  ordinary	  articulation	  Bass	  Clarinet	  in	  B♭ 	   	   	  	  s.t.	   Slap	  tongue	  	  	   timbral	  trill	  	   	   	  Piano	   	   The	  piano	  part	  uses	  standard	  techniques	  only	  	  	  	  Guide	  to	  the	  Electronic	  Part	  	   The	  electronic	  part	  consists	  of	  a	  performance	  environment	  for	  real	  time	  granular	  synthesis.	  The	  main	  interface	  for	  the	  performance	  environment	  is	  shown	  below.	  	  	  	  	  Guide	  to	  the	  Notation	  Used	  in	  the	  Electronic	  Part	  	  The	  source	  material	  for	  the	  electronic	  part	  consists	  of	  recordings	  of	  the	  acoustic	  instruments	  taken	  during	  the	  performance.	  The	  points	  at	  which	  the	  recordings	  should	  be	  taken	  are	  shown	  in	  the	  score.	  The	  electronic	  part	  is	  played	  back	  by	  triggering	  pre-­‐programmed	  cues.	  These	  are	  also	  shown	  in	  the	  score.	  	  	  	  	   Begin	  recording	  output	  of	  the	  acoustic	  instruments	  into	  the	  performance	  environment.	  Recording	  will	  stop	  automatically	  after	  six	  seconds	  	  	   Boxed	  number	  indicates	  cue	  number	  	  Waveform	  graphic	  indicates	  sounding	  electronic	  part	  	  Crescendo	  and	  diminuendo	  marks	  indicate	  that	  the	  electronic	  part	  should	  be	  faded	  in	  and	  out	  	  Dynamic	  marking	  indicates	  level	  of	  the	  electronic	  part	  relative	  to	  the	  acoustic	  instruments	  	  	  	  	  The	  level	  of	  the	  electronic	  part	  should	  be	  balanced	  to	  match	  the	  level	  of	  the	  acoustic	  instruments	  relative	  to	  the	  dynamic	  markings	  indicated	  in	  the	  score	  	  A	  small	  mixing	  desk	  is	  necessary	  in	  order	  to	  fade	  the	  electronic	  part	  in	  and	  out	  as	  well	  as	  to	  make	  minor	  adjustments	  to	  the	  levels	  during	  the	  performance.	  	   The	  acoustic	  instruments	  should	  be	  amplified	  only	  if	  necessitated	  by	  the	  size	  of	  the	  performance	  space.	  	  The	  electronic	  part	  uses	  the	  output	  of	  the	  acoustic	  instruments	  as	  source	  material	  for	  processing.	  Microphones	  are	  therefore	  required	  for	  the	  acoustic	  instruments	  and	  the	  signals	  should	  be	  sent	  to	  the	  performance	  environment	  regardless	  of	  whether	  or	  not	  the	  acoustic	  instruments	  are	  to	  be	  amplified.	  	  	  	   The	  electronic	  part	  requires	  a	  computer	  running	  Max	  v.	  6	  or	  above	  (www.cycling74.com),	  a	  suitable	  digital	  to	  analogue	  convertor,	  a	  mixing	  desk,	  suitable	  microphones	  for	  the	  acoustic	  instruments	  and	  amplification	  appropriate	  for	  the	  room.	  The	  Max	  patch	  is	  available	  from	  the	  composer	  on	  request.	  	  	   	  	  	  	  	  Instruments	  	  	  Flute	  	  Bass	  Clarinet	  in	  B♭	 	   Piano	  	  	  Computer	  running	  Max	  6	  or	  higher,	  audio	  interface,	  mixing	  desk,	  suitable	  microphones	  and	  amplification	  	 	 	 	 	  	  	  	  	  	  	  	  	  	  	  	  	   	  	  	  	  {°¢FluteBass Clarinetin BbPianoElectronicsmf mf p pp mpq=60mf f p f mf pp pp mf ppmf f° °q=60644454644454644454644454644454&Æ ÆÆMarc EstibeiroInterventions&'?Æ&Æ?&? ‘“ loco/ ∑Record∑1Œ Œ ‰œ œ#œbœœJ‰ Œ ‰œbjœJŒ Óœœ#œb™ ‰ œnR ≈Œœbœœ#œœ œŒœ#jœj‰œbJ‰ Œœ œ#œbœnœn œ#œbœnœnJ‰ Ó‰œ œ#œbœwwwn#™™™ wwwbbŒ Œ Œœb˙ ™ wŒ1{°¢Fl.B. Cl.Pno.Elec.p mp f mp ppAmp p pp mpp mp mp f pp°p°o f o A54346424445434642444543464244454346424445434642444&Æ ﬂz.∑ ∑ord.Æﬂz.∑?∑ÆÆ∑55& 5? ‘“ ∑/ ∑2∑Recordœnœ#œŒ æææœnj‰ Ó Œ ŒœJ‰œj˙b™˙ ™ ˙b ™ œJ‰ Óœœbœœb œnœ#œnœ#œnœœbJ‰ ∑wwwbn#œœœ˙˙˙b ™™™ œœœbb˙˙˙n#nwwwwn#n ™™™™ œ œ# œb œ œb œ œ# œœœw˙ ™ ˙ ™Œ Œœ˙ ™ÓŒ2{°¢Fl.B. Cl.Pno.Elec.p mp mp mp ppmp p mp ppmp mp p pp pp° °o f o44543424644454342464445434246444543424644454342464&ﬂz.ord.'Æ6:4x?∑'Æ& 5? ‘“ loco ∑/ ∑ ∑ ∑3∑œ# œnœ#œbœœœnœn˙œnj‰ Œ Œ Ó˙™ ˙b ™˙™ ˙b ™œJ‰ ŒŒœj˙bŒœ œbœ‰˙ ™ ˙b ™ ˙ ™ ˙b ™ œJ‰ Œwwwnbb ˙˙˙b ˙˙˙ ™™™ ˙˙˙n ™™™ œœœ#b ˙n Œ œ œb œn œ œbwb œb ˙n ˙˙#™˙™3{°¢Fl.B. Cl.Pno.Elec.pp mp pp mf mf f ffBpp mp pp ff ff mfmp mf f ff ppp°f° °o f oB64445412434246444541243424644454124342464445412434246444541243424&'∑ Ú12" Æ ∑?slap tongue.>∑ Ú12"'∑&Ú12" ”“ loco? ‘“ loco ‘“ Ú loco/Record∑ ∑ ∑w#™ w ™ œ œb œb œŒ œbjœj‰ Œœœ#œœ‰ œbJ‰ Œw ™ w ™Ó™Oj‰ Œœbœœœ œ#j Œwwww#<b> ™™™™ wwwb˙˙˙˙˙˙˙˙™™™™ ˙˙˙bb ™™™ œœœœ###˙˙˙˙bnbŒ Œœ˙#™ w# œœ ˙ ™ ˙b ™ ˙ ™Œ Œ Œ4{°¢Fl.B. Cl.Pno.Elec.mp mf mf mp f ppCp mf f f ppmp mf f fpp p°f°fo oC246444548424246444548424246444548424246444548424246444548424&∑ÆÆﬂz. ﬂz.Æ Ú8"?∑ÆÆÆ'Ú8"&Ú8"? ‘“ loco Ú3 5/4∑Record∑ ∑Œœœ#œ#®‰ Œ Ó™ŒœnJ‰œnœ#œbœ œJŒ˙b ˙ œJ‰Ó™ŒœœŒœ#œœnœbœJŒ Ó˙ ˙ œj‰Óww##™™ wwwnnb ˙˙˙˙˙bb ˙˙˙˙˙ ™™™™™œœœbœ œ#œbœœnŒ Œœ˙ ™ w œœ ˙™Œ Œ5{°¢Fl.B. Cl.Pno.Elec.mf f ff mf fDp ffmp mf mp p mf sfzmf ° ° °fo oD2434243464241044424342434642410444243424346424104442434243464241044424342434642410444&∑ﬂz. Æ tongue ram>∑ ∑ord. ﬂz.∑ ∑10"6?∑ ∑ ∑s.t.>∑ ∑10"3&'Æ∑10"3 3?∑'∑∑/ ∑5∑ ∑ ∑ ∑œœ œ#œb‰ ŒœObj‰œœbœœœnœb ˙ Ó™Œ ‰ œbœœbŒOnj‰ Œ Œ Ó™Œœbœ# œn‰˙˙˙ ™™™ œ œ# œb ≈‰ Œ œœœœn# ˙www#™™™ Œ œœœœœn#bnJ‰˙# ™ Œ œœœœœbb j ‰ Ó™ Œ Œ œb ˙ ™ ≈ŒŒ6{°¢Fl.B. Cl.Pno.Elec.pp mp pp mfEpp mp pp p mp p pp pppmp p mf ppp pp pmp°mffo oE445424342434445424342434445424342434445424342434445424342434&ord.∑ ∑ ∑?'∑'∑5 3&ÆÆœn? ‘“'œ#/ ∑6 7∑ ∑wwb œbœ#œœbœ# œn™ww#œœ#œbœœbœ œ#œnŒœbj‰ Œœbœ œ#œbœbjÓwwwbb ˙˙˙#n#˙˙˙ ™™™ œœœœœnb#J‰˙˙˙b ™™™ œ œ œ# œb ‰ Œw œœ ˙ ™ Œ ™ ˙ ™ ‰ ‰ œŒ7{°¢Fl.B. Cl.Pno.Elec.mp mf mfFmp p mfp mp mf pp°o f oF346464442454346464442454346464442454346464442454346464442454&∑ ∑6"'∑?∑6"∑Æ∑5&∑6" 6?loco∑ ‘“ ‘“ ∑/ ∑ ∑8∑ ∑Ó™ œb œœ œ# œb œn œb œ#œj‰ ŒœbœbŒ Óœbœœb œnœ˙#œJ‰ Œ Óœœœbb˙˙˙n#wwwwn#™™™™ wwwnbb œn œ œ# œb œ œ œb œ˙ ™Œ Œœ˙ ™ wb8{°¢Fl.B. Cl.Pno.Elec.mf mp p mpmp mf mp p mpmp pp ppp pp p° °mp°o f o5434644454346444543464445434644454346444&Æ∑ ∑Æ6?Æ'∑'6 5:4x3:2e&? ‘“ loco ‘“/Ó Œœœbœœœœ# œnJ‰ Œœ œ#œbœ‰ Œ Ó™œ œ#œbœœœnŒ Ó™Œœœbœnœœ# œnj ‰ Ó™ œœbœnÓœnj˙˙nb ˙˙ ™™ ˙˙˙n ™™™ œœœ#b ˙nwwww#b ™™™™œb œn ˙n™ ˙# ™ ˙ ™ Œ Œ œ˙#™9{°¢Fl.B. Cl.Pno.Elec.pp mp mp mf pGmf pp pp mp mf° °fo oG442454342464442454342464442454342464442454342464442454342464&∑ord. ﬂz.∑ ∑ ∑2"3 5?∑ ∑Æ∑ ∑ ∑2"&loco”“∑2"3?∑ ‘“ ∑/ ∑9∑ ∑œœœbœn œ#œbœœn˙n˙b˙ ˙ œJ‰Óœbj˙œbJ‰wwwbœbœ#œœbœ# œn˙˙˙˙nnn˙˙˙˙™™™™ ˙˙˙bb ™™™ œœœœ###˙˙˙˙bnbw# œ#œ ˙ ™ ˙b ™ ˙ ™10{°¢Fl.B. Cl.Pno.Elec.pp p mp pHpp pp mppp pp mp pp° °H64244454446424445444642444544464244454446424445444&ord.∑'6∑3?∑ ∑Æ3& 6? ‘“ ∑ loco/Record∑10∑ ∑ ∑Œœbœ# œn‰ Œ Ó™Óœ#œbœœb‰œ#œœœb œn≈Ó™Œœ œ#œ#‰ Œ Óœ#œœnœbœR‰™Œww##™™ œb œ œb œ# œn œn œb œœ œ# ‰ wwwwb ˙˙˙˙˙bb ˙˙˙˙˙ ™™™™™Œ Œœ˙ ™ w œœ ˙™11{°¢Fl.B. Cl.Pno.Elec.mp mf f pppImf p f pppmp mf mp mf f p° °pp mp°fo o I4434644412444346444124443464441244434644412444346444124&∑4"ﬂz.ord.∑ÆÆÆ∑3:2x?∑4"∑ ∑'6∑&∑4"∑?∑/ ∑1∑Œœœ#œnŒ Œœbœœ‰ Ó™ w wbœ#œœœb œn≈Œ Œ Ó™w#w˙˙˙ ™™™ œœœ ˙ ˙ œœœ# ˙˙˙ ™™™ œœœœn ˙˙˙˙˙### ™™™™™˙# ™ ˙ ™ w ™ w œ œb œ# œn œn œ# œb œ œ# ˙12{°¢Fl.B. Cl.Pno.Elec.mp pp p mfJpp ppp mfmp pp mp mf° °o f o J124542464124542464124542464124542464124542464&Ú12" ∑ ﬂz.Æ Æ3? Ú12" ∑ Æ Æ&Ú12" 6:4x? Ú/ ∑Record∑Óœœœb œJ˙Œœœ#œnÓ™Ó Œœj˙bÓ™ œ# œnÓœœœœœ###œœœœ#˙˙˙˙™™™™ ‰ œn œ œ# œn œ œ# œn œ# œ# œnww#n™™˙ ˙™‰ ‰ Œ˙ ™˙ ™13{°¢Fl.B. Cl.Pno.Elec.mf f p pp p ppp mf pp pppmf f°pp ppp°pp p ppp°34343434343434343434&ord.'6∑ﬂz.∑U?Æ∑ ∑ ∑U&”“∑ ∑ ∑ ∑U?locoU‘“ U/2∑ ∑ ∑ ∑ ∑UÓ™Œœ œbœœ‰ Œ Óœ#œbœnœbœ#≈œbj˙ œJ‰œ™ œb œ œ ‰ Ó™ ˙ ™ ˙# ™Œœœœœ#bœœœœb#b˙˙˙# ™™™wb ™ œb œ œ#œœ ˙˙#˙ ™œ œ#œbœœn œ#œbœ˙#˙˙#™14{°¢Fl.B. Cl.Pno.Elec.mf f mfKmf f mf pf pp mf fmp°p°o f oK54244464645424446464542444646454244464645424446464&Ú8" ord. Æ ∑ Æ ∑6? Ú8" ∑'∑3 3&Ú8" ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏loco”“3? Ú ∑‘“ loco ‘“/Ú∑ ∑3∑ ∑≈œ œbœœœ#‰œbœnœbœ#Ó™Œœœbœ#œn‰ Óœ œbœœœ#œ#œnÓ™ œ œb œ#œn œœnj‰˙˙˙˙## ˙˙˙˙ ™™™™ œ œ# œ œn œ# œ www## wwww# ™™™˙ ˙œw#˙#™˙™15{°¢Fl.B. Cl.Pno.Elec.pp ppp mp ppp ppp mp pp ppp mp°pp mp p ppp°mpo f o f o64104346454246410434645424641043464542464104346454246410434645424&∑10"∑ ∑ ∑6"Æ?∑10"∑ ∑ ∑6"'&∑10"∑ ∑ ∑6"”“? ‘“ ∑ loco ∑5 5/ ∑ ∑4Œ Œœœb˙™ ˙b ™ ˙ ˙ œJ‰Œ Œœ#œ˙ ™ ˙ ™ ˙ ˙ œj ‰˙œœœbb˙˙˙nn ™™™ ˙˙˙bb˙˙˙ ™™™w#™ œ œb œ œb œnœ#œnœ#œnœ˙b˙n˙b ™ Œ œ ˙ ™16{°¢Fl.B. Cl.Pno.Elec.pp mp pp pp p pp pp pppLpp mp pp p ppp pp pppp pp p°ppp°fo oL24446434541242444643454124244464345412424446434541242444643454124&ﬂz. ord.ord.∑6"ord. ﬂz.3:2x 3 5?∑6"&loco∑6"∑6?∑ ∑/ ∑56∑˙ œ ™‰œ œ#œb‰ Œœœœbœ# œnœbœœnŒœbœœœœœœœœœ˙b œb ™‰ Óœœœbœ# œnŒ œ#œœœœœœœœœœ# œnœ#œ#œ#œ œ#œnwwwn#nœœj˙˙˙bb ™™™Ówb˙˙˙bb˙˙˙ ™™17{°¢Fl.B. Cl.Pno.Elec.pp mp pppMpp mp pppmp pp mp p mf mfpp° °pp° °o f o fo oM1246434241043412464342410434124643424104341246434241043412464342410434&Ú12" ∑ ord. timbral trill ∑ ∑10"? Ú12" ∑ timbral trill ∑ ∑10"&Ú12"'”“10"∑? Ú ‘“ ‘“ ‘“ ∑ ∑/7∑ ∑ ∑ ∑ ∑œj˙#™ ˙b ™˙#™ ˙b ™˙#˙bœj˙b ™˙#™ ˙b ™˙#™ ˙b˙#wwwwb ™™™™ œ œb ˙b ™ ˙˙˙b œœœnnn Œ ‰ œ œb œn œ ‰œœœœœbbjŒÓœ ˙ ™ ˙˙˙bb ™™™ ˙ ™ œ Œ≈18{°¢Fl.B. Cl.Pno.Elec.pp ppp p mpNpp ppp p mpmf f mf mf mp pp pp°mf fN3424542434245424342454243424542434245424&whistle toneÆ∑ ∑wind tone ord.∑?Æ∑ ∑'∑&locoÆ'ÆœœœbÆœ? ‘“ loco ∑'œ œ# œ/Record∑ ∑ ∑8∑ ∑ ∑œj˙# ™ ˙ œJ‰ _# ˙ ™‰œ#œ˙n ˙ œJ‰ ‰œœbœœœ#j ‰ Ó™Œ Œœnœ#œ#®‰˙˙˙# ™™™œœœœœnbbŒ˙˙˙bn ˙˙˙ ™™™ œ œ œ#œbœn œœbœœœn œ# œŒ˙n ™‰ Œ Œ˙ ˙ ™19{°¢Fl.B. Cl.Pno.Elec.p mf mf pOmp mf mf p mp ppmp sfz f mfmf f ° po f o O644424643434644424643434644424643434644424643434644424643434&∑ ∑6"Æ∑ord.ﬂz.∑6?∑ ∑6"'∑Æ&∑ ∑6"”“Æœœn œ#œb?Æ'‘“ ∑ ∑ œ ˙/ ∑Record∑ ∑9∑œ œ#œœnœœb œnJ‰ Ó˙b ™ ˙b ™Ó™œj˙™œbj‰˙b ™ ˙ ™Ó™ œ#œ‰ Œœ#J‰wwb‰œœœœœ#n##JŒwwnb™™œœ#œœb‰œ#j ‰wwwwn ™™ ‰20{°¢Fl.B. Cl.Pno.Elec.mp pp mf f pmf f pmp pp p mf mp p° mf ° mf° °fo o o f o3424342454445434243424544454342434245444543424342454445434243424544454&ord.'∑ord. ﬂz.∑3"∑ord.Æ∑4"6?∑ ∑'∑3"∑'∑4"&”“∑3"∑4"3 3?'‘“ loco ∑ ∑ Æ ∑/ ∑ ∑10∑Œœœb‰œj‰ œbœœnœbœœ# ˙œj˙# ˙ œJ‰œ#œb œnœ#‰ Œœj˙ ˙ œj‰˙nœœœbbŒ ‰ ≈œœnœ˙˙˙b ™™™‰œbœœbŒ˙˙˙˙bbbb˙˙˙˙Œ˙# ™ ‰ œœœœœbbbn j Œ ˙n ™ ‰ œn j œ ˙ œJ ‰Œ21{°¢Fl.B. Cl.Pno.Elec.ffPpppp p ppppp°mf pp mpP54446424645444642464544464246454446424645444642464&∑tongue ram>∑ ∑?∑ ∑ ∑&? ‘“ '6 5 3/ ∑Record 1∑ ∑ ∑ŒœObj‰ ÓŒ ŒœœœœbÓ™œœ œ#œb œJœ Œ Ówwwwbbnbww# ™™ ÓŒ Œœœbœœœnœb ˙w˙™œj‰ Œ Œœœ#œ#œn œ#œn œ#œ22{°¢Fl.B. Cl.Pno.Elec.mp p ppp mf mf mpQmp p mf mpmp p pp ppp°mp°fo o fo oQ6412464845464124648454641246484546412464845464124648454&ord.timbral trillﬂz. Ú12" ord.'ﬂz. ord. Ú8"?timbral trill Ú12" Ú8"&Ú12" Ú8"? ‘“ Ú loco ‘“ Ú/ ∑2Œœbœ# œnœ œ œœ#˙ ™˙™Œ Œœjœj‰œœbœ#œ œJ˙œbœn œ ˙#˙b˙™ ˙ ™Œ Œœ ˙œbœ# œn™˙˙˙˙#bœœœœ###˙˙˙n# ™™™ œb œ# œ œb œ# œn ™ Œ Ó™‰œbjœ œ ˙ ™ Ó œb œn œ# œb œb ˙ ™Œ Œ23{°¢Fl.B. Cl.Pno.Elec.mp pp pp ppmp mp pp pp pp ppp pp pppmp pp pp pp°ppp°o f o54446410424645444641042464544464104246454446410424645444641042464&timbral trill∑Æ'∑10"∑?'' ' ' ' ' ' '∑10"∑5 3&∑10" 5?loco‘“ ‘“ ∑/ ∑3∑ ∑Œœbœ#˙ ™ ˙ ™ œœbœbJ‰ Œ Œ œjœj‰ Œ ŒŒœ#œ≈‰œœ#≈‰œnj‰ ‰œœ# œn® Œœ# œœ≈œŒœœœ‰ œ#j˙# ™ œ Œ Œ˙˙˙˙## ˙˙˙˙ ™™™™ wwwnbb wwwwnbb ™™™™ Œ œ œ œb œn œ‰œjœ ˙œ# w˙#™ ˙n ™ ÓÓ™ Œ24{°¢Fl.B. Cl.Pno.Elec.p mp mf pp pp pp pppRp mp pp pp pppmp mf pp mf mp° ° °fo oR64446454246444645424644464542464446454246444645424&'∑ ∑6" ord. ﬂz.'?''∑ ∑6"5:4x&∑6"œbœœœ#Ó™?loco ‘“ loco ∑ ‘“œb œ œb œ#/ ∑4∑ ∑œœ™˙œj‰ Ó œj˙#œjœ# ™ ‰ Ó œj˙bœ#j‰œ#j˙ ™ œœ#j‰ Œœœœb œnœŒœjœn ™ ‰ Ó™ œ ™ ‰˙#œœœn#˙˙˙n™™™ wwwn#Œwww#nw ™w‰˙n™˙b™˙25{°¢Fl.B. Cl.Pno.Elec.mf pp p mp pp mf pp p mp pp mf mppp° °o f o2454446424544464245444642454446424544464&∑ﬂz.ord.∑4" ord.ﬂz.?∑Æ∑4"Æ'Æ3&∑4"5:4? ‘“ ∑ loco/5∑œ#j˙b ™ œœœœ#‰ Œ ‰œœœœb ˙nœj˙ ™œbœœœœn ˙ œJ‰ Œ ‰œœœbŒœnj‰ ŒœbJ ‰ Œœbœbœ œbœœbœnœnœ˙˙˙˙n## ™™™™ ˙˙˙˙ ˙˙˙b œœœn ˙˙˙nb ™™™Ó Ó™ œb j˙wn ™Œ26{°¢Fl.B. Cl.Pno.Elec.mf mp p p pp pSpp mf ppmp°fo oS442464442464442464442464442464&ord.ﬂz.Æ Æ∑2"?∑ ∑2"6&∑2"?∑/ ∑6∑Œœj˙ œœ˙ ˙ ™œ#J‰Œœ# œnœ#œbœœœnœnÓ™‰œ œ#œbœ˙˙˙bn œœœŒ ŒwwwbbnŒwœ w27{°¢Fl.B. Cl.Pno.Elec.pp ppp pp pp ppppp ppp pp pp ppppp ppp pp mpppp°pp ppp°642464642464642464642464642464&ord.ﬂz.∑ord.'∑U?∑Æ∑U&”“ loco'∑ ∑U6? ‘“ ∑ loco l.v. ∑U5/ ∑ ∑ ∑ ∑Uw# ™ w ™ œbjœj‰˙ ™wb ™ w ™ŒœjœJ ‰˙#œj˙˙#œœœbn˙˙˙œnœbœœnœœ# œnœbœ# œn‰ Œ˙ ™ ˙b Œ ‰ œ œb œœœ# ˙n™28

Interventions

http://eprints.staffs.ac.uk/2997/1/Interventions_Composition_for_Flute_Bass_Clarinet_Piano_and_Electronics_Marc_Estibeiro_New.pdf

Interventions

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