The aesthetic appeal of symmetry has been noted and discussed by artists,
historians and scientists. To what extent this appeal is universal is a
difficult question to answer. From a theoretical perspective, cross-cultural
comparisons are important, because similarities would support the
universality of the response to symmetry. Some pioneering work has focussed
on comparisons between Britain and Egypt (Soueif & Eysenck, 1971, 1972),
including both experts and naive subjects. These studies confirmed some
degree of universal agreement in preferences for simple abstract symmetry. We
revisited this comparison after almost half a century. We compared
preferences of naïve students in Egypt (n = 200) and Britain (n= 200) for 6
different classes of symmetry in novel, abstract stimuli. We used three
different measurements of complexity: Gif ratio, Edge length and the average
cell size (average blob size, ABS). The results support Soueif & Eysenck’s
findings regarding preferences for reflectional and rotational symmetry,
however they also throw new light on a greater preference for simplicity in
Egyptian participants already noted by Soueif & Eysenck (1971)