Unknown, Author

Digital Commons @ Butler University

Butler UniversityDigital Commons @ Butler UniversityManuscript Thesis Collection Manuscript Thesis Collection1-1-1896Greek and English Tragedy As Exempified [sic] inSophocles and Shakespere [sic]Author UnknownButler UniversityFollow this and additional works at: http://digitalcommons.butler.edu/manthesesPart of the Theatre History CommonsThis Thesis is brought to you for free and open access by the Manuscript Thesis Collection at Digital Commons @ Butler University. It has beenaccepted for inclusion in Manuscript Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information,please contact fgaede@butler.edu.Recommended CitationUnknown, Author, "Greek and English Tragedy As Exempified [sic] in Sophocles and Shakespere [sic]" (1896). Manuscript ThesisCollection. Paper 77.GREEK AND ENGLISH TRAGEDYas.exempified -inSOPHOCLES 'AND SHAKIDSPERE.d. ,'-~r .C( .' ti!:~ilt'n;..) f (~, ...'jr /~V'8.,.' T t e 43 .~~1- Y', ill6 d. ;_.~:. .ec t~ t~.e .~? r i a I '1 i r i'~r: f t r-.,. r , aes,zs t,A_' ~ 1'", O. _". 0 f + h .~ tl'~ - u , ::.,v'T.t 1"3 " -: r ,J..' (\ .~ 2:~l ',~. .• l' •..•. t ie f'3Y e ) t n ~~ 1ma. ~ 1't a -~. n ('). t. ac tor in h i n .iotru~nus a,iG h cY' . t:. a.~i. Gould not cnc un t.e a s iai La r ·~···~anti0 bodv in .er sonal c nt li c t withou:t;lU and ;;-- I!iIIIIII1II !I.Il IIIII II - .. 1111.. . .. I - IIIII • -_ ..-.111111 IIIl III II III ...III -IILa:-II III II III IIDI IIiIlII III~;:·11 oun t, ocu t, one .:~ifbr.:: as many as sevr:;nact'3 0';1le snea8' twesn tWO"in . sk i l.ful " g uest iC11S' oroli~h t iD~ m ~nt P short acts allowedlIn vJO-toA.ry nOJ'_tirrtoI\1, no c out rao ticn DOl? ex nansi on; 110 cli;fi<;\xnQ1.:' dsnoue-I ,,~~e t. . l~. 1". l~ 'n (~"'I ,':¥. t.:"~ i"'_] -- -r' j "..... ..,. ". () ~ ~ n CIl tot .. r..'(.,. t"'\. 1" f"~ h~'". a....r" t. :::.1~. i. '. f. '. t ~e· ~; ~""e· .0- i ....~ h 1t1 dII _.J ".J >;) t ,_ ,$' I.,.J . ,;;:; ..., _;.~- U r" Uff 'Y' L u ,_.)... f!O:i'i:.d;)_-_\_,~d '.J I.. ..... .-+ .. ." ,t::L . .tJ ;,_.. I_~ J.. '_,.;..' ~. f.i .II only lffic'i:H1t anacs to·l.>nfdd s i ations. in"er:;zt d,,_,lend,:;(~ up ..Ii 0 "). ,'!':'!' f1'} t:- r w. iPII' ",..-MIi :1.1. \,{w.ould!I A 1 ralfodc~ the ricL~~t,I.of ...ioe of tIr ::)u - lzcd b~v 7; C tl:"'J of r;Grds '};"rI'~nfoon ':ing B1,~L.s...· to 0 U' 3ln~i Pill.. "alvo-'Lk'Pjtlr'Y' ~[,h.cmet~r in 't1te d'·. ~Q'1'l3 is tIcuTll:'"'c wi -:1 its ;tIO .der<lul'II tl h' ''IT • h ;.' t h t-:tII ~. J ~.t uL • . ---11 'Shalkesper~~·s·: traf:,(:;.dieq (~va~p.~eI .,. .IIII r7" t h in f iv e 8 c t s ~ !? ~ ~1 f £0 ~.; t l~.r· -;IS tv e" ~ b t, ~;,"";I. n;"'S ,0 \,;r 3"'; .b ~l,Ot ..'. ~l'L ~s t~..'-'<g ~ ,I .. ,I~I! 0 i1y , t h i ,< 'S : Um t;. ;, n.:..II to'... an . palo:; ~ -i tlt' aIII t·l·,-,ry'· 1as ::,101~n U~.·' Iih8r,~ dan· ~-,~ no better t e~' of oxp~e~sin--.' i, than-· by'thede 'c; :."J ~..':offioe~In iJ~ Sh~~es~e2e s61vad the o~estion of how to make- a dramashould. standt~at the illl~or dra~a s~ould be' unrealized to'suoh an'ex"entco Ior ine of reali:·vY- to- t .e incipa.l. d arne .. ',- He suc~:·in this; not £111' by: Dis iofleXlble dic t icn, but also. by be." onor~1:freenJs:j and expansionri n the ot.(neral c..s7elop""e t 'of his plays.'tIl I t ~" ':f;- ." • '~.. " .-!.!.. r,II n ""ne \)ra..~,;F~J..es .;,1,' \)I'IIP11aG9 where a speecb Ln'l'IClt'H~: and y~" th.9rei.; .•0 .}l'·'}f t h atil .., . .'I .1.....' -~ .. -n 1 t"J...._ ~;] .~*'"f>';;O"l-llr . 0 fr~III r ! ..,:} .~ ;li\ii...i ..."'>;/~ ~ .!..;(1 ..\,.,J .... ~.,_! -~v~;..u .s s:Iii {reV'en~e as a l~eli~iotl."'· dU~iy} to tt>1ml.:;t C::I'Jl:u;;; conse Lea IDl"'.!ctra forIlth~ dea t n ot l~~l~ bzother i~~. tre 0a.'.I~ ccaacnplace tqa:y ;l.hiyb Ha....l.;,·t's uno re,I:Itr ies ~ti t h Ll iPl* -II'II:.. II1111,t'·lour 10. t. J. (Jr l Of!, t a ja. t {I. rap •.!111. hat _:,.f a t h q,., ~~0:;: t~ .lOB .t ( ,~t 8 ._...-. ~ - .... - ...-ioh 'is si~ilar in' m~tive·~·.BI/1toS- 17e~1l,ka~ 17a /por; ?ij).efr. t'U\ ¢,pollet811r; t ()s 1 ''(,.ptifJPfj8. wo:te~ r) A, t.a v a-t e Ye~I~ ~ ..... """!" _,..,: _ ..... _. - ~1 ""'""!- fjU:.t~ to .pej~lBeDer@IIn oOultnato,··oond()·~or;en ..t ~B~ a. (JQur:J~~Ot tnptouB stubbornness. - - - - • --I~*''Tt 8, common: a It tw v nOB. fliU8 t d t e.'"Ip sob of 'r a1: 0'" a! 1.:1c...n o ious rJesir~ t .. 'mite form and eubiec t :.n~tter. in the latter aI keen ~tru:{ ~le t ··:.mi tetbe.''fo. T ,f; Or . k a· aaa :""68 tial1y· r al isious ,Iii' av i L. ar i: en f:·:J.l vhe !lusH·- ~'i es A D'onysus . T e poets.... t "'Nnr.1'43t ...r is l a t ro the uyt \llo~y 11hi"h ~L~ 'Lali "'·ored,· I'he ..pi sode and il-IIllusions 0' El"ilLt" to~et.,t:J:. witn t.18 subs t ...nee of tl '):/0 Lo poe t.s f'up.,liodI11 ·".em'lith nl o t sv The h;IO~S of ~~e dr a a w'ere t v ..es and nat .er ne 0 e ~i~'I ~a,ntio sc~·le. ofII. . . ~. tI Dl;3··: tnt . n . ~;_I 'II: t r n ha .1e: s: nI. . t··1'1~a~lr1a"10 •I .-to the de~ti.~us 0 ~ .It.• Lons bur ieo forr:r-oc at a ",d.il1<· so I i r.::~~Ol 1).:; potnilin~theo-?/~ in t1}tI bu t it dryS<:-lf tLate ands;p~.te 01 or acs'ey"D..#p a~t,~.it h - ~ l.. ie f ,oli c chur "r'" fL~ t-;l caral LelIt:-·\.C'). ~, n +, . ~.Y1->~ 1"". ~ l_, _7- n, >, .~L~_ t.....,. -'-, v'to,' vt'. -;r _-1-_to tho,. .lsi a st i 0 aI' ~~,t t e r s. , !', ny' 'J t 1i r,: r .t,"",.;.,.t <.. . o 1jT :f ~ >;; 1 o!..c 0' ., ,.:::~..!;e r:1c d .1 .,., c; i, ~.I 1~~JIi ·,er,. '''f etr ibut iv« j .~~"'"Ic ra tl;~ o ..nt.r al . ..c ~. t 0:: ~rC1._,.: I' •. ;.)8 y~: . t isreI:, 'y';;:_ J .( .. ,l;'4i, ,,' t:'l 1:.'.1' 'Ji.~ if {! !:i(l_J .1ft" (r~, ira '7 fJ.~ y ~., .·noble. and rJ~ thizeIn-Shakespere's trit:;d 1:.,,' SUCh' lessons as can besto y .for t~·e f i r st t iaeet~ :·L~9a)r.~.or ..()t~hellof.:' ~t, eac~]" mOf::ent duri,ng the pl av, they' fel··jcut.coae do~~btf~.14' .In biF! w . t.hp ··interest.~ft?, 3, s ret ai ned..: 111' (;haffe,~:ers;t1o·:.of a pro~ erit 8f:e&t~.o~r 3eU9 t syrp~thies, ana strot~est passions,th~ ~es~ions ~oo oitenL . f :;:., f,_. ' l~ to"if ul.~ rt,.In 'cha,·c act ions 0. dhs bas rn his br ains, .Ie t hin 2?uth in. his ei1.1s,· a· Li'(l'Einr; an aur or e ¥ 0 a1-1 acl i h made a.~ ..... ~r:-:. e.ac !j .ear ~ + J~ lifeless form of h i s belov!":)d child."s thefor d v],as shin her 1 est-mo~!III 131..1 Ch ..r~ol!'~t!1e!li8, Hamlet· a.nd BlJr:l,tio; so in t'III "ioiBlly and li~btly sketQbed~ serve~ as a f~il to· the b9!ntr nd st4enQtbill ~ f> fi In t -l .AtI ...1' t:...... .1- '!'";Iii Ibis the f ir s t ez aapl e of true c har ao t er pal' tin~ an ng .he eeks , andiland approach to the rrstt. ",.:~..,f . ,h2J:t:1g.pcre. '. i!1~~ an' more Ti tly 1)"'011Ie eniIII'it:zI~lose.!1_,,,,« s iLen t 1 all ~"r1'1··S PO-]- '"i-t- - lJ,·'"t..np"....~ .. ) ~l> ..l.. i..l· ~. v . ..' '_,",..l. 'v • . ~H\:;.....C IS·II!a~' example of ohan~e f pce~e 'n- ~h~·Aj~K~ b' t th~ Gredk theat~~ and its:'III naods ',;_ade ~.lliD i ur Lc ab l e, } SU ... round i.nvs OJ. our owne.ta~e .r eaovei!this diffiou1 ty .... 'rhere is aor e to' be e ai d c be rt the unity' of time~; ilris":il!:totle r-enarks that it ie: be tt er to bsve a rr ana ccupl e ted in t he seace ofI.:I:a fi(l.y.> :!:he story shcul n be easv cY'""ta,l.d.' It . ay be no a tr ai upon,'the ~ind to- pass'over a.fel. uni~port8 t deta:lq. but'wh n' ~o m~et ~ heroIa~l.' tr :gi~ c os coa i t isUl~r<>"\-"nditP I:Y <.re t ~ey .!7/'{

Greek and English Tragedy As Exempified [sic] in Sophocles and Shakespere [sic]

http://digitalcommons.butler.edu/cgi/viewcontent.cgi?article=1077&context=mantheses

Greek and English Tragedy As Exempified [sic] in Sophocles and Shakespere [sic]

Abstract

Similar works

Full text

Available Versions

Digital Commons @ Butler University