The current development of multimedia nonlinear narratives has led to
an exponential increase in content production interactive documentaries that try
to explore the expressive potential of digital tools. Among the projects diversity
conducted with quite divergent results, it is necessary to notice some definition
complex communicative artifacts, better known as webdocumentarys or
interactive multimedia documentary, which combines elements from both
hypertext narratives, on the one hand such as documentary films, on the other. The
rhetoric of these new products interactive storytelling intends characterized by a
growing and increasingly developed relationship with the user, which assigns a
new place in the construction of meaning. Hybridization of formats and media
starts the way for a political metalinguistic consideration in this new audiovisual
form, which often finds its way outside the industry, is produced independently
and is for those viewers willing to undertake a narrative experience active.El presente estudio ha sido financiado con la ayuda del Proyecto de Investigación de la
convocatoria Universitat Jaume I-Bancaja, con el título “Análisis de los flujos de
transferencia de conocimiento entre los sistemas educativos superiores y la industria del
videojuego”, código 11I301.01/1, para el periodo 2012-14, bajo la dirección del Dr. Javier
Marzal Felici