Oddelek za slovanske jezike in književnosti, Filozofska fakulteta, Univerza v Mariboru
Doi
Abstract
The essay deals with the attempts of Srečko Kosovel, Ferdo Delak and Ivan Mrak to form a contemporary, modernist or avant-garde drama. This diversity of their writings can be partly explained by anomalies in the distribution and reception of their concepts, performances and texts, but at the same time (as Marko Juvan did with Kosovel) they can be understood “as an eminent symptom of modernism as a system of divergent sociolects responding to a common problematic complex.” All three avant-gardists, however, certainly understood new forms and new avant-garde art as follows: “The modern poet breaks down form to come to vivid direct life” (Kosovel). With the dramatic hybrids of Kosovel, Mrak and Delak, the art in Slovenia asserted the particular kinds of tensions between the grotesque and the sublime, the poetic and the almost documentary, which were characteristic Futurist, Constructivist and Expressionist aesthetics of the time.Razprava se ukvarja s poskusi Srečka Kosovela, Ferda Delaka in Ivana Mraka formirati sodobno, modernistično ali avantgardno dramo. Njihove pisave in koncepti so bili raznorodni, kar lahko delno razložimo z anomalijami v distribuciji in recepciji njihovih konceptov, predstav in tekstov, hkrati pa jih lahko (tako kot Marko Juvan ob Kosovelu) razumemo »kot eminenten simptom modernizma kot sistema divergentnih sociolektov, ki se odzivajo na skupen problemski kompleks«. Vsi trije avantgardisti so razumeli nove forme in novo, avantgardno umetnost tako kot Kosovel, ko je zapisal: »Moderni pesnik razdira formo, da pride do živega neposrednega življenja.« Umetnost je tudi v Sloveniji z dramskimi hibridi Kosovela, Mraka in Delaka uveljavila posebne vrste napetosti med grotesknim in sublimnim, pesniškim in že skorajda dokumentarnim, ki so bili značilni tako za futuristično kot konstruktivistično in ekspresionistično estetiko časa
