Oddelek za slovanske jezike in književnosti, Filozofska fakulteta, Univerza v Mariboru
Doi
Abstract
This article presents the theoretical basis of Nikola Šop’s ‘machine civilization’ and Gregor Strniša’s ‘logic of vending’, using the apparatus of the Traditionalist School (René Guénon, Ananda Coomaraswamy, Frithjof Schuon in Seyyed Hossein Nasr). Radical criticism of the paradigm is reflected in individualism, rationalism, empiricism, scepticism, naturalism, ignorance of metaphysical principles, contempt for traditional knowledge and human enslavement to one’s own senses, etc. It is consistent with the paradigm of modernism, understood by the Traditionalist School as a deviation of traditionalism, which, on the contrary, protects tradition and regards symbols as an important means of transmission of traditional knowledge and messages. The article presents excerpts from Strniša’s poetry, dramas Driada, Samorog and Ljudožerci, and Šop’s poetry and drama Tajanstvena prela. In addition to the criticism of modernism, we also present characteristics of traditionalism: the metaphysical transparency of phenomena and the transmutation of things.Članek predstavlja teoretsko osnovo civilizacije stroja Nikole Šopa in logike štacunarstva Gregorja Strniše, pri čemer uporablja aparat perenialistične šole (René Guénon, Ananda Coomaraswamy, Frithjof Schuon in Seyyed Hossein Nasr). Radikalna kritika paradigme, ki se kaže v individualizmu, racionalizmu, empirizmu, skepticizmu, naturalizmu, ignoranci do metafizičnih principov in preziru tradicionalnih znanj ter zasužnjevanju človeka z lastnimi čuti itn., se ujema s paradigmo modernizma, kot jo razume perenialistična šola, in je nasprotje, deviacija tradicionalizma, ki varuje tradicijo, simbol pa razume kot pomemben način prenosa tradicionalnih znanj in sporočil. V članku so predstavljeni odlomki iz poezije, dram Driada, Samorog in Ljudožerci, Šopove poezije in drame Tajanstvena prela. Poleg kritike modernizma so predstavljene tudi značilnosti tradicionalizma: pojavnost metafizične transparentnosti fenomenov in transmutacijo stvari v odlomkih literarnih besedil