Založba Univerze v Ljubljani / University of Ljubljana Press, Slovenia
Doi
Abstract
The study introduces the focus of current research on modernism in Slovak literature, which has moved from the interpretation of modernism as a homogeneous phenomenon to the study of its various forms and manifestations (variations), with an emphasis on transitions (temporal aspect) and penetrations (spatial aspect). The starting premise is the awareness of the heterogeneity of modernist tendencies in the first half of the 20th century, which challenges the monolithic character of modernism and allows registering its paradoxical and contradictory manifestations (modernisms). In the second part, the paper presents open topics in the research of Slovak modernism from the beginning of the 20th century, and concerns issues such as the reassessment of the representation of women in modernist discourse, the re-reading of spiritual poetry, or the multidirectional extension of generic-genological analysis.Študija seznanja z usmerjenostjo trenutnega raziskovanja modernizma v slovaški književnosti, ki se je od razlaganja modernizma kot enovitega pojava pomaknilo k prepoznavanju njegovih različnih podob in izrazov (različic) s poudarkom na prehodih oz. tranzicijah) (časovni vidik) in presečiščih (prostorski vidik). Začetna predpostavka je zavest o heterogenosti modernističnih teženj v prvi polovici 20. stoletja, ki preizprašujejo enoviti značaj modernizma in omogočajo popis njegovih protislovnih ter navzkrižnih izrazov (modernizmi). V drugem delu prispevek predstavlja odprte teme raziskovanja slovaške moderne z začetka 20. stoletja in se dotika problemov, kot so prevrednotenje zastopanosti žensk v modernističnem diskurzu, novo branje duhovne lirike in večsmerna širitev zvrstno-vrstne analize
