An investigation on the palette and techniques of some high medieval codices by Raman microscopy

Abstract

a non-desctructive investigation of inks and pigments used in late antiquity and in medievasl codices. Inks from Pompeii and codices have been compared. A change in the use of pigments is observable between the 9th and the 12th centuries in the production of the scriptorium of Nonantola

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