The article offers a study about the artistic and eccentric personality of Eileen Gray, the Irish designer and architect. An independent, elusive, secretive figure, that with her creative instinct absorbed the French capital
becoming soon, between 1910 and 1920, one of the leading exponents of the new revolutionary theories on design and architecture. Her thoughts took shape through drawings and models with which assumed full control of the material used and her notes, strictly in French, supported the rigor and the harmony of her projects, which made it possible to define her one of the pioneers of the Modern Movement
