The project catalogue showcases how new, hybrid modes of cultural production attempt to break free from traditional disciplinary silos and engage with novel technologies that blur the boundaries between media and domains. Design outputs developed by the authors and contributors during the research act as a catalyst to discuss the ongoing process of decentralisation and emocratisation of the digital. The projects, visions of technology-enabled transmedia architectures based on 17th-century baroque thought, are partly 3D printed, partly co-authored by machine learning (ML) processes, and partly crafted. They exist in real reality, in mixed reality and in virtual reality, perhaps a viable model for creative practices to converge into new, hybrid modes of production
