Cataloged from PDF version of article.This thesis analyzes the varying utilization of the Greek idea of
anthropomorphic representation of deities in the Hellenized western Asia. In order to
explore the different ways in which Greek models were absorbed and utilized by
Eastern cultural and artistic traditions, three case studies are examined. Sculptural
media is the focus, with subject matter, style, iconography, and patronage to be
considered. The cultural, social, religious, and political circumstances are
investigated to obtain insight about the nature and reasons of borrowings from the
Greek artistic repertoire.
The first case study is Parthian art. The Parthians were selective in their
adaptation. The Greek language was used for administration along with Aramaic and
the Parthians struck coins in Greek fashion. In contrast, in the few sculptural
examples surviving from the Parthian period, the influence of Greek art is not
attested.
The second case study is Nemrut Dağı, a mountaintop sanctuary in
Commagene. In the sculptural decoration of the monument, Greek religious
repertoire and iconography are used extensively together with Persian elements in
the visual expression of the political propaganda of the Commagene dynasty.
The third case study is Gandharan art. Here, Greek artistic principles were
adapted and incorporated into the local artistic tradition in the creation of the
Buddha image in anthropomorphic form, unique to the region. In this study it is
suggested that the intensive production of the Buddha images in the reign of the
Kushan dynasty might be due to the aim to unite the people under their rule and to
show their royal patronage.
These three cultures had direct relations with Greek art. Each, however,
responded differently to this interaction. In the course of this thesis, it is observed
that the main factor behind the varying utilization of Greek artistic principles is
politics. The kingdoms in the lands conquered by Alexander the Great used Greek
art for political propaganda.Uçar, Funda BaşakM.S
