poster abstractDigitized museum and library collections have transformed the knowledge landscape. The Internet enables audiences to explore high-resolution images of primary documents from around the world with a click of a button. Yet in spite of increased accessibility, many online collections remain concealed by inadequate search terms and incon-sistent citation methods.
Under the guidance of Modupe Labode, Assistant Professor of His-tory and Museum Studies at IUPUI, I curated Monument Circle Project, an online collection of primary documents, annotated research materi-als and an interpretive blog to frame E Pluribus Unum, a controversial public art proposal, within a historical context. In 2007, contemporary artist Fred Wilson proposed to re-appropriate a figure of a freed slave from the Indiana Soldiers and Sailors Monument. Community outreach meetings revealed that broader perspectives of social and racial con-ventions from late nineteenth-century Indianapolis – the time in which the monument was constructed – were key to understanding the con-troversy surrounding the proposed artwork, yet were missing from public discourse. The art project was cancelled in December 2011.
Using analyses of monuments by Austrian writer Robert Musil (1880-1942) and art historian Kirk Savage as an intellectual frame-work, I utilized Flickr.com, an image hosting and online community fo-rum, and WordPress.com, an open source blogging tool, to curate and interpret primary documents from archives across the country. I de-veloped standards to organize and manage these documents with the goal of increasing public visibility on life in Indianapolis during the turn of the twentieth century. Monument Circle Project demonstrates how digital history can add valuable and rich commentary to contemporary issues
