This paper explores the connection between the study of psychoanalysis and the films of Italian filmamaker Federico Fellini. It looks at four of his works in detail: I Vitelloni, 8 1/2 [Eight and one half], Juliet of the Spirits and Amarcord and analyzes psychoanalytic themes and symbolism in each. Included is also a brief biography of the filmmaker and an outline of his experiences with psychoanalysis, chiefly the writings of Carl Jung
