Although it is an outstanding example of writing life as negotiation of gender roles as well as exploration of the body as site of identity constructs, Tanja Dückers’s novel Spielzone, published in 1999, has not yet received the critical attention it deserves. The novel displays an interesting aesthetic technique of representing the milieu of two Berlin districts and their inhabitants, whose identity conflicts can be shown to reflect the state of construction of the urban space before its homogenization through gentrification. Especially with regard to gender identities, Dückers portrays the search for a different lifestyle, which is expressed through a striking focus on aesthetic differentiation and cross-dressing. The protagonists stage masculinity and femininity through a theatrical masquerade, which reveals the construct of gender identities and advocates a postmodern transgender existence. The negotiation of a new identity without binary gender attributions ranges from the negation of traditional role assignments to self-mutilation. In the following paper, Dückers’s text will be analysed as uncanny playground of gender between masquerade and brutal gender embodiment, which nevertheless, with all its negations of conventional values, eventually moves near to a return to traditional patterns.peer-reviewe
