Hashimoto, Takashi

Kuwamura, Hiroyuki

Yamamoto, Tomoyuki

English

Cognitive Sciences ePrint Archive

What is Animacy in Dynamical Movement?
Hiroyuki Kuwamura, Tomoyuki Yamamoto and Takashi Hashimoto
School of Knowledge Science, Japan Advanced Institute of Science and Technology (JAIST)
Nomi, Ishikawa, 923-1292 Japan
e-mail: (h-kuwa,t-yama,hash)@jaist.ac.jp
What sort of movements of an object make it
look alive? How do we feel aliveness in a robot
moving? This sense, animacy, is experimentally in-
vestigated for moving of objects. There are many
artifacts that remind us animacy, e.g., animation
movie characters, dolls or human ¯gures in ¯ne
arts. We often feel animacy for non-living things, or
even abstract objects (Tremoulet and Feldaman, 2000)
(Nakamrura and Sumi, 2002). One possible reason is
personi¯cation. Johansson (Johansson, 1973) showed
that even complicated shape can be easily recognised
when moving objects can be viewed as a human move-
ment. However, this concept is not concerned about the
quality of movements, which we are interested in.
We performed a psychophysical experiment where a
dynamical system evolves to life-like system by interac-
tive evolution computation method. In the model, the
genotype codes the parameters of a dynamical model.
The model consists of combined oscillators on two di-
mension space with harmonic interaction (i.e., linear
spring), see ¯g.1A. The boundary condition is periodic.
The number of points are 3, 4 and 5. For each point,
there are four parameters: kS (spring constant for oscil-
lation of itself), kI (spring constant for interaction with
nearest neightbour), x (initial position) and v (initial
velocity). The points move only in horizontal direction.
The phenotype dynamics, is shown to a subject as a set
of moving dots on a computer display. Display image
area is divided into 12 compartments where individual
models are presented.
Evolutional process is based on the selection by the
subject. At each generation, one or two individual mod-
els out of 12 are selected for next generation and subjects
do not explicitly tune parameters of the model. Muta-
tion processes are random bit °ip mutation or crossover,
depending on the number of selected individuals. We
adopted Gray coding for encoding dynamical parame-
ters and gradual evolution is obtained by mutation.
15 healthy subjects without visual di±culty partici-
pated in the experiment (ages: 23 to 28). In typical ses-
sion, a subject was asked to select one or two most \life-
like" individuals in each generation (up to 40 genela-
tions). The experiment consisted of 3 trial runs, followed
by 3 sessions, where the number of dots increased by one
after each session (from 3 to 5 ). After the experiment,
the subject was asked to ¯ll out a questionnaire.
All subjects reported that they felt animacy in their
products, of which the majority of the subjects reported
a set of dots that resembles a \body". This may be due
to personi¯cation.
We examined what kind of movements of the \dots"
gives animacy. The evolutionary process is logged and
analysed. According to the reports of subjects, we de-
¯ned stagnating points, where the same genotype is se-
lected for more than 5 generations, as products. 77 prod-
ucts are obtained (3 to 8 per subject). Alternate data
is randomly generated products by using random num-
bers as genotypes. The number of sample is equal to
total number of trials, 135. By visually observing these
products, we classi¯ed 9 sorts of dynamical features as
follows.
(SA) Stroke. Like a ¯sh swimming, dots form a body
(i.e., almost in phase) and stroke is obviously seen. (SB)
Stroke and cluster coexist. (SC) Stroke is not clearly
seen. (CA) Clustering. Each dot form in-phase or anti-
phase clustering with neightbour. Periodic trajectory is
obviously seen. (CB) Partially disordered clustering.
(CC) Shows reorgnisation of clusters. (CD) The dots
look broken into two clusters (i.e., bodies), due to large
di®erence of amplitude. (CE) Clustering. Top and bot-
tom dots are in phase. (J) Jerky. Cluster is formed but
jerky movement is often seen. (Other) Unclassi¯able.
Their relative frequencies are shown in ¯g.1B.
The classi¯cation is subjectively done but based on the
results of questionaires. The subjects suggested they felt
animacy for stroking pattern. This pattern is de¯ned as
travelling wave pattern. Also, a \walking human" like
pattern is suggested. We regard this pattern as alternat-
ing oscillation and de¯ned it as cluster pattern. Based on
these two patterns, we visually observed time serieses of
the pheno type dynamics and identi¯ed 9 features shown
above.
We are currently working on a numerical method to
classify the results will be reported in elsewhere. It is
important to note that human impression is based on
implicit ¯ltering. For example, clustered movement can
be seen when all points are moving in the same direc-
tion with small di®erences. In such case, trend must
be subtracted. Then before we adopt statistical testing,
many possible patterns of transformation of coordinates
141
Berthouze, L., Kaplan, F., Kozima, H., Yano, H., Konczak, J., Metta, G., Nadel, J., Sandini, G., Stojanov, G. and Balkenius, C. (Eds.)
Proceedings of the Fifth International Workshop on Epigenetic Robotics:  Modeling Cognitive Development in Robotic Systems 
Lund University Cognitive Studies, 123.  ISBN 91-974741-4-2 
SA CA
CD CE
A B C
SA SB SC CA CB 
Human
Random0.25
 0.2
0.15
 0.1
0.05
 0.0
CC CD CE  J  Other
1
0
2
3
k
k
I2
I3
kI1
kI0
kS2
kS1
kS0
kS3
Figure 1: A: model. B: relative frequency of products classi¯cation. C: schematic representation of movements.
are required.
The di®erence between two distributions of frequency
are accepted by Â2 test (p < 0:01). Between human
selection and randam gereration conditions, signi¯cant
di®erences (larger than sum of standard deviations, as-
suming multinomial distribution of equal probability)
are seen for SA, SC, CD and CE. SA and CE are
positively and SC and CD are negatively selected by
human.
Then we suggest that animacy lies in clear stroke
(SA+ / SC-) and oscillation within a body (CE+ /
CD-). Since stroke movement is rare in linear system,
we are going to adopt nonlinear dynamics to our model
and try to ¯nd more features of animacy.
Even abstract objects give rich feelings. If the above
features are implemented for a robot, it may look more
socialable and may be able to do nonverbal communi-
cation with humans. Socialable robots that perform
emotional expression (e.g., (Breazeal, 2000)) may be im-
proved by adopting non-constant velocity (i.e., stroke-
like) of behaviour or facial movements. Also, stroke-like
movement may be important for a robot co-working with
humans. A stroke movment includes slow preparatory
movement (e.g., wind-up before shooting) and helps to
users to predict the robot's behaviour. We believe that
animacy can be used as evaluation criteria for quality of
communication between humans and robots.
If we establish a criteria of animacy in an objective
form (e.g., statistical form), it may contribute to the
improvement of learning method. Because method of
learning and quality of target are not completely in-
dependent, new value standard of quality potentially
enhance ability of learning. For example, stroke-like
movement is found to be essential part of the mortor
skill (Yamamoto and Fujinami, 2004), as phase di®eren-
tiation in experts' movements. Then cognition of ani-
macy may lead to self-learning of skillful movement.
References
Breazeal, C. (2000). Sociable Machines: Expressive So-
cial Exchange Between Humans and Robots. PhD
thesis, Department of Electrical Engineering and
Computer Science, MIT.
Johansson, G. (1973). Visual perception of biological
motion and a model for its analysis. Perception and
Psychophysics, 14:201{211.
Nakamrura, K. and Sumi, S. (2002). Motion informa-
tion contributing to the perception of animacy or
inamimacy from the motion of a single object (in
japanese). Techinical Report of IEICE, TIS2001-67,
IE2001-206 (2002-01):95{100.
Tremoulet, P. D. and Feldaman, J. (2000). Perception
of animacy from the motion of a single object. Per-
ception, 29:943{951.
Yamamoto, T. and Fujinami, T. (2004). Synchronisa-
tion and di®erentiation: Two stages of coordinative
structure. In proceedings of third international work-
shop on Epigenetic Robotics 2004, pages 97{104.
142


Motion information contributing to the perception of animacy or inamimacy from the motion of a single object (in japanese).

Perception of animacy from the motion of a single object.

Sociable Machines: Expressive Social Exchange Between Humans and Robots.

Synchronisation and dierentiation: Two stages of coordinative structure.

Visual perception of biological motion and a model for its analysis. Perception and Psychophysics,

What is Animacy in Dynamical Movement?

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What is Animacy in Dynamical Movement?

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