The Art of Memory, The Loss of History

Abstract

On the occasion of an exhibition of work by 25 international artists and collectives, Olander writes on the notion of fragment in relation to memory. Deitcher's essay takes Baudelaire's "Salon of 1846" as his point of departure on the problem of memory in aesthetic judgement. Solomon-Godeau gives three moments in the life of a professional photographer. Bibl. 2 p