This essay is a modern narrative history that takes its content from the
fictional characters of the English poet William Shakespeare. The aim of
this story-based analysis is to reconsider configurations, general trends,
and collective aspirations in the international and transatlantic relations
between two nations of Western culture, Germany as Germania and
the United States as Sam. On the basis of seven picturesque characters
and episodes selected from his dramas and poems, each representing
an image of love and hate in these relations, an interpretation in comparison
with the cultural historical and socio-cultural developments in
German-American relations is presented: (1) The Birth of Macduff, (2)
The Passionate Pilgrim, (3) The Two Noble Kinsmen, (4) Shylock and
Aaron the Moor, (5) Macbeths Dream of Power, (6) The Phoenix and
the Turtle, and (7) Hamlet’s Reflections and the self-assurance of Fortinbras.
This interpretative, comparative analysis involves three different
levels of interpretation for each image: On the basis of Shakespeare’s
texts a description and paraphrase of some of the important facts in the
plot and the main characters are presented. Thereafter, a hypothesis is
summarized regarding what we have seen as the main point in the story
(at the level of the meaning of the image). Finally, these meanings, the
ways of Shakespeare’s reception, and language games (‘Sprachspiele’;
in the Wittgenstein sense) are transferred to historical and socio-cultural
substantiation