Edith Cowan University, Research Online, Perth, Western Australia
Abstract
Computer controlled performance opens a range of novel structural possibilities. This paper explores the mechanisms and ramifications of this approach, and its potential to expand the repertoire of formal structures available to the composer. Traditional and computer coordinated performance models are compared. Modes of computer control, permutation, transformation and generation are discussed and their implications are evaluated. The range of implications of this approach to the performance environment are given together with illustrations from the author’s own work
