约翰内斯·勃拉姆斯（（JohannesBrahms，1833-1897）是德奥浪漫主义时期一位伟大的作曲家。在19世纪浪漫主义思潮的冲击下，勃拉姆斯并没有随波逐流，而是以独特的创作理念走向一条古典主义与浪漫主义深度融合的道路，形成他独具特色的音乐风格。勃拉姆斯的音乐既连接着古典主义与浪漫主义，又跨越浪漫主义与现代主义，成为19世纪西方音乐的典范。人们把他与“音乐之父”巴赫（Bach）、“乐圣”贝多芬(Beethoven)相提并论，统称为“三B”。 《D大调小提协奏曲》是勃拉姆斯唯一的一部小提琴协奏曲。它以深刻的音乐内涵与高超的演奏技巧，成为小提琴演奏中的试金石。本文共分三章。第一章探究勃拉姆斯及其创作风格的形成，从而对勃拉姆斯《D大调小提琴协奏曲》进行宏观上的理解与把握。第二章从创作历程、曲式及音乐特色的角度来分析该曲的音乐内涵。第三章笔者结合自身学习与演奏的经验，探究该曲的演奏技法。希望通过此文，让大家加深对勃拉姆斯以及这部伟大的小提琴协奏曲的了解，并为他人演奏此曲提供一些实际的参考与经验。Johannes Brahms (1833-1897) was a great composer of the Romanticism in Germany and Austria. Influenced by 19th century Romanticism, Brahms chose to comprehensively integrate Classicism and Romanticism upholding unique composing ideals rather than go with the mainstream, creating music style of his own characteristics. Brahms is often considered both a traditionalist and an innovator. His music not only links Classicism and Romanticism but also transcends both, serving as an example of 19th century western music. People grouped him with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs". Violin Concerto in D major is the only violin concerto composed by Brahms. With its deep connotation and requirement of high performing skills, it has become a precious legacy in violin opera. This dissertation is divided into three chapters. The first chapter delves into the life of Brahms and the formation of his composing style in order to gain a macroscopic understanding of Violin Concerto in D major. The second chapter analyses the musical connotation of this concerto from three angles: course of composing, musical form and music features. In the third chapter, the author explores the performing technique of this concerto with reference to her own studying and performing experience of it. The author hopes that this dissertation will deepen people’s understanding of Brahms and this great violin concerto and provide practical reference and experience to people playing it.学位：文学硕士院系专业：艺术学院_音乐与舞蹈学学号：1872010115342
