钢琴独奏音乐会作为众多音乐会形式之一，其历史发展已经长达近两个世纪。而钢琴独奏音乐会的曲目设置，随着时代的进步，也在经历着不断的变化和发展，并趋渐成熟。本文试图通过回顾钢琴独奏音乐会的历史起源，总结其起源时期的曲目设置的特征，继而从近现代钢琴独奏音乐会曲目设置的发展中看其起源时期对其产生的影响，并从中提取借鉴与思考。 全文主要分六个部分。第一部分为绪论，介绍本文的研究对象、研究目的和意义、以及本文的资料来源；第二部分着眼于钢琴独奏音乐会起源的历史背景，从两个时期作历史脉络的梳理——19世纪之前、19世纪初期至19世纪30年代；第三、四部分，集中研究钢琴独奏音乐会在19世纪40年代、19世纪50至60年代的初步发展，并分别总结钢琴独奏音乐会在这两段时期中的曲目设置的特征；第五部分，介绍近现代钢琴独奏音乐会的发展，并从中观察钢琴独奏音乐会发展初期形成的特征对近现代的影响；第六部分，本文的最后一章，笔者对于钢琴独奏音乐会曲目设置提出的些许总结和思考。As a kind of concert forms, the piano recital has been developed for nearly two centuries, whose programme has also been developing for generations. The thesis will review the history of piano recital first, and analyse the charactises of the recital programme. Then the thesis would turn to the recital nowadays, to see how the charactises of the 19-century recital programming affect the ones from 20th Century to now, and finally offering some suggestions. The thesis consists of 6 parts. First, the introduction, is about what to be researched, why to research, and how to research. Second, make a review of the piano recital history, in two periods----the period before 1800s, and the one from early 1800s to 1830s. The 3rd and 4th parts are about the development of recital from 1840s to 1860s. There’re different charactises on recital programme which will be analised in the thesis. The 5th part describes the development from early 1900s to now. The charactises of the 19th Century have affected the recital programming in modern times. The final part is some viowpoints and suggestions by the writer.学位：艺术学硕士院系专业：艺术教育学院音乐系_音乐与舞蹈学学号：1872009115310
