Revelation: the emergence of the euphonium from the traditional brass and wind band culture and its modern day acceptance in solo, chamber and orchestral genres
The thesis presents new research concerning aspects of the euphonium and its repertoire, including both new and historical compositions that have never before been documented or recorded. The thesis discusses the historical context of the euphonium, and demonstrates new ways of using the euphonium and combinations of instruments that work with it. Each chapter of this thesis aims to expand on basic information regarding to the euphonium. Chapter one is a literature review covering various books relating directly to the euphonium and the tuba. Chapter two covers the historical origins of the euphonium and where the instrument was mainly used in its early years. Chapters three and four cover the euphoniums traditions, current social status and the relationship between the euphonium, cello and the orchestra. Chapter five covers the euphoniums repertoire in the wind band genre and chapter six looks at the euphonium in the orchestral context. Finally chapter seven covers the euphonium and its solo repertoire over the past 150 years and the thesis closes with the final conclusion in chapter 8. Performance of the works discussed has formed an integral part of the research process, and has both informed, and been informed by the historical and analytical material presented here. In support of the thesis, two CDs are provided which have been recorded specifically to give the reader an audible example of the changes in repertoire and the development in compositional styles for the euphonium. The first CD - ’Neath Austral Skies - showcases the Australian repertoire for the euphonium accompanied by brass band. The music on this CD has never before been recorded, and the enclosed programme notes and information on the music document influences on the composers. The second CD - Utaki, The Sacred Grove - demonstrates a variety of alternative uses for the euphonium outside the band context. This CD does not focus on orchestral repertoire, but demonstrates the instrument in alternative roles, including in chamber music and as concerto soloist in music of varying styles, including several newly commissioned works, thus revealing a new direction and repertoire for the euphonium. This second CD projects the euphonium into a new and completely different sound world, effectively demonstrating some of the more romantic qualities of the euphonium, while capturing the versatility of its voice by utilising accompaniments such as a string quartet, string duo, piano and chamber brass - all of which complement the distinctive tessitura and vocal qualities of the euphonium. For more information about Matthew please visit his personal website: www.matthewvanemmerik.co
