Towards hermeticist grammars of music : a proposal for systems of composition based on the principles of the hermetic tradition, with musical demonstrations
PhD Thesis, Multimedia items accompanying this thesis to be consulted at Robinson LibraryThis thesis is a composer's manual on how to select and appropriately use musical
materials in accordance with some of the parameters of the Hermetic Tradition.
It puts to the reader's consideration a few proposals for Hermeticist grammars of
musical composition. 'Grammar' here is used in the sense of a set of rules which
govern the construction of musical discourse. Musical grammars thus comprise rules
pertaining to the construction and selection of both 'lineal' musical materials such as
pitch rows, rhythms, motifs and timbres, as well as of simultaneous events such as
harmonic or contrapuntal textures.
The adjective 'Hermeticist', derived from the noun Hermeticism, refers to a form of
traditional Western urban, learned and humanist occultism. This occultism is distinct from folk, popular, or religious/devotional forms of magic, which also occur in the West as well as in other cultures and societies. It is also distinct from other Western occult movements that are either revivalist in their inspiration (such as Wicca or neopagan religions) or related to the 'pop culture' of the last quarter of the twentieth century, such as the movements of New Age and Chaos Magick. The first part of the thesis, the textual component, briefly examines the historical encounters between Hermeticism and music theory, very few of which have produced sounding pieces of music, while most of them have happened exclusively at the theoretical, philosophical or mystical-speculative levels.
In the second part, the portfolio of musical compositions, I demonstrate the
application of the proposed methods through pieces of music I have composed using
the historical, theoretical and technical background presented at length in part 1. I
further comment on these musical results through annotations and description of precompositional work, context research and composition processes used in each
individual piece