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THE NAKED AND THE DEAD: THE REPRESENTATION OF THE DEAD AND THE CONSTRUCTION OF THE OTHER IN CONTEMPORARY CINEMA: THE CASE OF M. NIGHT SHYAMALAN
Authors
Iván Pintor Iranzo
Publication date
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Universitat Pompeu Fabra
Abstract
Abstract is not available.
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Revistes Catalanes amb Accés Obert
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oai:raco.cat:article/257489
Last time updated on 13/06/2016
