Shiff, Richard

English

Kosmopolis

The Technique of Originality:  Innocence  and Artifice in the Painting of Corot, Monet, and Cézanne

ScholarlyCommons@Penn

Studies in Visual Communication Volume 8 Issue 4 Fall 1982 Article 2 1982 The Technique of Originality: "Innocence" and Artifice in the Painting of Corot, Monet, and Cézanne Richard Shiff Recommended Citation Shiff, R. (1982). The Technique of Originality: "Innocence" and Artifice in the Painting of Corot, Monet, and Cézanne. 8 (4), 2-32. Retrieved from https://repository.upenn.edu/svc/vol8/iss4/2 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/svc/vol8/iss4/2 For more information, please contact repository@pobox.upenn.edu. The Technique of Originality: "Innocence" and Artifice in the Painting of Corot, Monet, and Cézanne This contents is available in Studies in Visual Communication: https://repository.upenn.edu/svc/vol8/iss4/2 

https://repository.upenn.edu/cgi/viewcontent.cgi?article=1186&amp;context=svc

The Technique of Originality: Innocence and Artifice in the Painting of Corot, Monet, and Cézanne

Abstract

Similar works

Full text

Available Versions

Kosmopolis

ScholarlyCommons@Penn