This thesis attempts to identify and document a generational movement in the
conception and creation of Japanese collective identity - to understand its precedents
and consequences. From an examination of how Japan's early 20th century agricultural
majority saw themselves in the world around them throughout Japan's period of
industrialisation, to understanding the social landscape and identities of some of Japan's
contemporary youth, the thesis charts a generational movement away from the influence
of the State and nation-builders, and towards a more self-determined collective
imagination which puts the individual in charge of the creation of Japaneseness. In
contrast to their elders, young people create a multi-cultural and inclusive Japanese
identity which incorporates local and global diversity and establishes them as equal
stakeaolders in a world of many like-others.
Through life stories, interviews, case studies and community ethnography, the thesis
attempts to understand how this generational movement has occurred because of the
chtnges that modernity has wrought on the local arenas of Japanese life-reorganising
Emily and community systems and memberships, and altering the perception and
cefinition of what it means to be socially and imaginatively "mobile". It is these local-
, evel changes-rather than any `top-down' `globalising' or `westernising' forces-that
have most changed the' concurrent creation of Japanese collective identity. For the
younger generations of Japan and of other industrialised societies too, the previous
genefations' attempts to come- to terms with these changes have left them with a
comparative freedom to re-conceive the borders and boundaries of collective identity,
and to incorporate their experience of local diversity into a template of diversity acknowledging
cultural and national identity. The thesis concludes; however, that these
new identities are not so much original as they are displays of a more well-adjusted
adaptation to a modernity which continues to affect us all, ordering our most intimate
experiences and perceptions and setting them into expressions of collective
memberships and solidarities