Blog post from London School of Economics & Political Science
Abstract
The Italian Cinema Book reflects the current state of scholarship on cinema with references to popular research models in the field, such as cinema historiography, transnational cinema, and political approaches. The contributors address canonical topics in the field, such as feminism and the representation of women, psychoanalytic theory, film genre, star studies, and reception studies. Well-illustrated by frame shots, photographs, movie posters, and advertisements, this provocative and original collection is recommended by Niall Flynn
