The landscape of research in fashion has blossomed over the last decades. A marked increase in academic debate and a burgeoning number of publications have begun to map the diversity, complexity, and breadth of fashion as simultaneously a major industry and a cultural medium, often dismissed as superficial and “merely” commerce. Fashion is by its complex nature multidisciplinary, comprising: design in both two and three dimensions, textile development, old and new technologies, craftsmanship and artisan skills, business and production, marketing, promotion and consumption, global economics, material and visual culture, history, social anthropology, and so on
