This thesis investigates the central nervous system's ability to integrate visual and auditory information from the sensory environment into unified conscious perception. It develops the possibility that the principle of functional specialisation may be applicable in the multisensory domain. The first aim was to establish the neuroanatomical location at which visual and auditory stimuli are integrated in sensory perception. The second was to investigate the neural correlates of visual-auditory synchronicity, which would be expected to play a vital role in establishing which visual and auditory stimuli should be perceptually integrated. Four functional Magnetic Resonance Imaging studies identified brain areas specialised for: the integration of dynamic visual and auditory cues derived from the same everyday environmental events (Experiment 1), discriminating relative synchronicity between dynamic, cyclic, abstract visual and auditory stimuli (Experiment 2 & 3) and the aesthetic evaluation of visually and acoustically perceived art (Experiment 4). Experiment 1 provided evidence to suggest that the posterior temporo-parietal junction may be an important site of crossmodal integration. Experiment 2 revealed for the first time significant activation of the right anterior frontal operculum (aFO) when visual and auditory stimuli cycled asynchronously. Experiment 3 confirmed and developed this observation as the right aFO was activated only during crossmodal (visual-auditory), but not intramodal (visual-visual, auditory-auditory) asynchrony. Experiment 3 also demonstrated activation of the amygdala bilaterally during crossmodal synchrony. Experiment 4 revealed the neural correlates of supramodal, contemplative, aesthetic evaluation within the medial fronto-polar cortex. Activity at this locus varied parametrically according to the degree of subjective aesthetic beauty, for both visual art and musical extracts. The most robust finding of this thesis is that activity in the right aFO increases when concurrently perceived visual and auditory sensory stimuli deviate from crossmodal synchrony, which may veto the crossmodal integration of unrelated stimuli into unified conscious perception
