Conceptual Representations in Sherko Bekas’ Gray: A Cognitive Stylistic Study

Abstract

The present paper aims to examine Bekas’ worldview (mind style) in the selected poem Gray from a cognitive stylistic perspective. The concept of mind style, which refers to any particular linguistic representation of an individual’s mental self, encompasses the process of “reality formation” in one’s mind. In cognitive stylistics, the worldview (mind style) of the poet, narrator and character is formed from and displayed through the linguistic structure of the text. Therefore, the highlighted research question is: How is Bekas’ worldview constructed and represented in the selected poem? This study is essential for readers and listeners because it will assist them in interpreting poetic texts so they can comprehend the poet’s worldview. To achieve the main aim, the researchers will apply the cognitive linguistic theories of schema, conceptual metaphor, and conceptual metonymy, all of which are concerned with the representation of conceptual structures. These cognitive theories are considered strong and dynamic theories in accounting for cognitive processes that underpin the production and interpretation of various types of discourse, whether factual or fictional, by forming mental representations in the mind. More specifically, schema theory can be used to explain how text worlds are created and processed during discourse processing, primarily when reading poetry. Additionally, schema theory involves researching mental models, which entails analysing how poets think about the world in contrast to readers. To examine the poet’s worldview, the researchers also use perspective and foregrounding in construal dimensions. Since the study is qualitative, the study’s data will be limited to the analysis of Bekas’ Gray. The study has concluded that Bekas views the world pessimistically and hopelessly