“Taking the Cure”: Alcoholism and Recovery in the Fiction of Raymond Carver

Abstract

Alcoholism plays a major role in modern American fiction; it serves as a reminder not only of a serious social problem, but also of an underlying and even more troubling malaise. Hemingway\u27s The Sun Also Rises, for example, is famous as an alcoholic novel, full of drinking and drunkenness, quarreling and remorse. Considered by Jung to be a misdirected spiritual craving, described by a member of Alcoholics Anonymous as the attempt to fill a bottomless neediness, the abuse of alcohol serves as a powerful metaphor for the thirst of modern man that cannot be quenched with material drink: Jake and Lady Ashley and the rest drink and drink, but are never satisfied. By focusing on this metaphor, we see Hemingway\u27s novel—and much of American fiction depicting alcoholism—as a prose companion to Eliot\u27s The Waste Land, the modern epic poem of spiritual dryness

    Similar works