This article looks at the selected works by two artists, Kutlug Ataman and Cigdem Aydemir, whose works are tackling hair, with a particular commentary on veiled Muslim women in secular spaces. The article argues that the current discussions on the topic, as well as the artistic responses, are often shaped by the narrative that logic of coloniality produced, but rarely attempt to delink from this narrative to change the terms of the conversation – which is a decolonial praxis. The discussion contextualizes the works by unpacking the Turkish case, on which both artists com- ment, discussing the positioning of Muslim women in Western(ized) public spaces and the resulting dehumanizing hypervisibility. I argue that while Ataman makes an important intervention on the topic with, Aydemir goes further, rejecting dehumanizing clas- sifications and delinking from the existing narrative
