The gradual digitization of society is placing important changes on the map of contemporary New Music. On the basis of early theoretical premises regarding the digitization of New Music, the two festivals organized by New Music Forum were analysed. An analysis and comparison with the previous Slowind Festival shows that the new festival is clearly marked by digitization. It turns out that this is in a transitional stage reflected at the aesthetic level by many and diverse combinations of digital, “analogue”, conceptual, narrative and abstract.Postopna digitalizacija družbe prinaša jasne spremembe tudi v krajino sodobne nove glasbe. Na podlagi zgodnjih teoretičnih premis o digitalizaciji nove glasbe sta analizirana prva festivala Forum nove glasbe. Analiza in primerjava s predhodnim Festivalom Slowind pokaže, da je novi festival jasno zaznamovan z digitalizacijo. Izkaže se, da je ta v prehodnem stadiju, kar se na estetski ravni kaže v številnih raznolikih kombinacijah digitalnega, »analognega«, konceptualnega, narativnega in abstraktnega
