This thesis uses critical phenomenology to investigate disabled embodiment and identity. I argue that (in)accessible subjective accounts of disability experience reveal disability to be a unique form of ever-changing embodiment: disability is the lived experience of a critical phenomenology. I turn to eclectic art, film, and poetry case studies involving a medical, surgical gaze to explore how ableist, sexist, and racist systems structure daily experience, forcing disabled people who “misfit” to analyze and confront systems of oppression, exclusion, and stigmatization. Disability experience challenges and resists ableist binaries of ability/disability, well/unwell, subject/object, mind/body, and inside/outside. The interdependence of these fluid, intertwining threads of existence defy even the categorization of a continuum, unless, as I argue, the continuum is non-linear and allows simultaneity. Understanding the interconnection between ability and disability is a never-ending journey that will always remain incomplete
