[Extract] Newly released from prison for a murder she committed in her teens, Miki Anderson (Katherine Langford) has returned to her home town Savage River. She is determined to leave the past behind her, but when another murder occurs just days after Miki returns, the town’s mistrust deepens

Maguire, Emma

English

ResearchOnline at James Cook University

Academic rigour, journalistic flairEmma MaguireLecturer in English and Creative Writing, James Cook UniversityReview: Savage River, directed by Jocelyn Moorhouse.Newly released from prison for a murder she committed in her teens, Miki Anderson (KatherineLangford) has returned to her home town Savage River. She is determined to leave the past behindher, but when another murder occurs just days after Miki returns, the town’s mistrust deepens.Determined to find out the truth and clear her name, Miki decides to uncover the real killer,unearthing long-hidden secrets along the way.It might be tempting to assume you know how this story goes, but this new six-part drama from theABC is not your typical murder mystery.Savage River explores complex social territory as the town’s class and race tensions emerge as key tothe narrative.ABC TVMore than a murder mystery, Savage River is a gripping newtake on the Australian GothicPublished: September 2, 2022 12.08pm AESTMiki is a riveting portrayal of complex, conflicted femininity. Langford is brilliant, bringing a movingcombination of toughness and vulnerability to the role, serving up scathing glares and a back-offattitude that belies both Miki’s experience of prison and the way this character remains partially stuckin her teenage identity.Shiny pink nail polish and sun-drenched memories of bike rides clash against the drab fluorescentdejection of a local pub, and blood pooling on an abattoir floor.The Australian GothicThe score (composition by Bryony Marks) creates a haunting, atmospheric quality, and the seriesworks in classic Gothic tropes: a ghostly landscape, an isolated rural setting marked by decay, themesof entrapment and claustrophobia, and an unresolved past intruding on the present.It represents a contemporary take on the Australian Gothic.Australian Gothic has been associated with a colonial gaze that sees horror in the “uncivilised”Australian bush or outback, evocatively rendered in Wake in Fright (1971) and Picnic at Hanging Rock(1975).In the colonial imagination, the Australian landscape has been figured as a source of terror hiding anynumber of unknown threats to colonisers. In Australian Gothic works, they grapple with alienation,melancholy and isolation, mirroring fears inspired by the colonial experience.This white, colonial gaze is interrogated rather than replicated in Savage River. While the regionalVictorian bush provides an atmospheric setting, the sense of threat and violence centres instead onthe town’s abattoir.Facing secret financial difficulties, long past its zenith as the economic saviour of the town, the meatworks is a site of white patriarchy. It was founded by the ageing mayor’s father, and is owned by themayor’s son Kevin (Daniel Hensall), keeping the place afloat by exploiting refugees with precariousvisa conditions.When Miki gets a job at the abattoir we see a brutal reality: Savage River is a town built on blood andslaughter, a truth that references the colonial violence at the foundation of modern Australia.Read more: Australian Gothic: from Hanging Rock to Nick Cave and Kylie, this genre explores our dark sideWho is acknowledged as missing?Australian Gothic is not the only genre Savage River plays with. The plot is driven by a murdermystery when, just days after Miki returns home, a white man goes missing and is then found dead.Parallel to this man’s disappearance, a refugee woman named Laila (Haya Abbas) has been missingfor days. As Laila’s sister Jamila (Maia Abbas) tries in vain to get the men around her to take Laila’sdisappearance seriously, the show draws attention to the town’s uneven attitudes to the two missingpeople.This is a contemporary take on Australian Gothic. ABC TVIn one scene the town’s resident copper and typical “mediocre white man” - Bill Kirby (RobertGrubb), is setting up for the town’s annual celebration.As Bill sets traffic cones on the grass he is on the phone, reporting the white man missing with a toneof concern in his voice. Jamila approaches him and appeals to him to help her find Laila, who she saysis gone, like the man who is missing. Bill is wilfully confused, asking, “Gone where?”.When Jamila implores him to please look for Laila, Bill gestures around at the preparations withexasperation, and fobs her off saying, “Well I can’t do anything today,” as if his hands are tied.The town festivities take precedence over Laila’s disappearance.Attributed to journalist Gwen Ifill, the term “missing white woman syndrome” is used to describe thisdeeply unequal media coverage and public attention, along racial lines.Murder mysteries often replicate this syndrome, in blonde screen icons like Laura Palmer in Twin Peaks (1990), as well as more recent adaptations Gone Girl  (2014) and The Girl on the Train (2016).Savage River refuses racist, misogynist and classist tropes. Here, the sense of menace emanates fromthe town’s patriarchal, capitalist leaders who have made their fortune by slaughtering animals. Theapathy and racism of police is problematised, and white, male power is explored as a corruptinginfluence.The show has a whole lot of heart, too, with some truly endearing characters. With a ripping plot, thestory will sweep you away.Savage River is on ABC TV and ABC iView from September 4.Read more: Friday essay: beyond 'girl gone mad melodrama' — reframing female anger in psychological thrillersA white male cop and a muslim woman.Savage River considers how different lives are valued. ABC TV

More Than a Murder Mystery: Savage River is a Gripping New Take on the Australian Gothic

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More Than a Murder Mystery: Savage River is a Gripping New Take on the Australian Gothic

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