In the Polish art gallery, operating in the years 1959–1993, on the Île Saint-Louis in Île Saint- -Louis in Paris housed exhibitions by artists from all over the world. They were usually young and received their education after World War II. For many it was the main Parisian gallery, among others for the pole Jan Lebenstein, the Japanese Josaku Maeda, or the Yugoslavian Miljenko Stancic. Though female artists displayed their works very rarely there. Merely a dozen or so Polish female artists had their exhibitions in Galerie Lambert. They were young artists, who did not exhibit their works before 1945. None of them achieved an artistic success in Paris, though for Wanda Ładniewska-Blankenheimowa and Wanda Paklikowska-Winnicka the exhibitions have been held often.In the Polish art gallery, operating in the years 1959–1993, on the Île Saint-Louis in Île Saint- -Louis in Paris housed exhibitions by artists from all over the world. They were usually young and received their education after World War II. For many it was the main Parisian gallery, among others for the pole Jan Lebenstein, the Japanese Josaku Maeda, or the Yugoslavian Miljenko Stancic. Though female artists displayed their works very rarely there. Merely a dozen or so Polish female artists had their exhibitions in Galerie Lambert. They were young artists, who did not exhibit their works before 1945. None of them achieved an artistic success in Paris, though for Wanda Ładniewska-Blankenheimowa and Wanda Paklikowska-Winnicka the exhibitions have been held often
