The nationalization of music is more intense in those musical genres that the nation recognizes as traditional. Experts, performers, creators, cultural policy, consumers, and mass media play an important role in this context. Home and homeland are dominant markers of national belonging in their representational image. However, in the contemporary context of migration, the notion of home has also acquired new conceptual frameworks. Based on the findings of contemporary home studies in the milieu of migration, the article compares them with its representations in Slovenian folk-pop music, where home, homeland, Slovenia, longing, mountain, Slovenian places, and mother appear as dominant markers of the national.Nacionalizacija glasbe je intenzivnejša v tistih glasbenih zvrsteh, ki jih narod prepozna kot tradicionalne. Pomembno vlogo pri tem pa imajo strokovnjaki, izvajalci, ustvarjalci, kulturna politika, potrošniki in množični mediji. Dom in domovina sta v svoji predstavni podobi ključna označevalca narodne pripadnosti. Toda v sodobnem kontekstu migracij je tudi pojem doma dobil nove konceptualne okvire. Avtorica v članku izhaja iz ugotovitev sodobnih študij doma v okolju migracij in jih primerja z njegovimi reprezentacijami v slovenski narodnozabavni glasbi, kjer kot prevladujoči označevalci narodnega nastopajo dom, domovina, Slovenija, hrepenenje, planine, slovenski kraji in mati
