This MA by research study is a reflection of photography’s past, current and future role within wildlife conservation, or whether there is indeed a necessity for it moving forwards. The following investigation and analysis of photography seeks to materialise how in fact the photographic medium can be both beneficial and negatively impactful to the preservation of wildlife, and how best it can be used by photographers in future conservation projects to ensure the preservation of wildlife.
Several significant aspects of photography and external influences are engaged with in this study, firstly investigating the importance of empathy within wildlife conservation and how it can be elicited through imagery and photographic methods. Furthermore, I investigate the other side of conservation photography’s success, analysing what negative or neutral impacts it can bring with it, before researching the role that social media does and has the potential to play in conservation, and how photography can adapt to it to maximise its success. Lastly, I explore alternative visual media such as moving image, and how photography can best applicate successful techniques learned from them to reinterpret how conservation photography is perceived. Finally, using information and research from across my thesis, I have produced a ‘guide’ as to how conservation photography can be shaped to achieve its full potential for success, drawing upon previous successes and failures of other conservation attempts and photographers
