Hall, Bianca, (Director)

Hall, Mike, (Director)

Old Dominion University Collegium Musicum

Old Dominion University Madrigal Singers

Old Dominion University Sacbut Consort

English

Old Dominion University

You can follow us on social media!  The F. Ludwig Diehn Center for the Performing Arts Wilson G. Chandler Recital Hall Tuesday, March 28, 2023            7:30 PM Presents Collegium Musicum,  Sacbut Consort,  & Madrigal Singers  Spring Concert Bianca Hall & Mike Hall, directors  F. Ludwig Diehn School of Music Three Dances from Danceries 1612 Basse dance “La Magdelena”  & Tourdion Basse dance "La Brosse"  Fugue  Ricerare  Two Dances from Pavans, Galliards, Almains and other Short Aeirs “The Image of Melancholy” “Ecce quam bonum”  Suite No. 10 from Banchetto Musicale Padouana Gagliarda Courente  Farewell unkind farewell  Susanne un jour Susanne un jour  Pavane “Susanne un joure”  Galliard  No podrá maravilliarse  IVES LINDEN LEIPSIC    Where are all thy beauties now Come cheerful day  Fly love that art so sprightly Program Pierre Attaingnant (c.1494-c.1552)     Luigi Battiferri (1600-1682 or later)  Giovanni Bassano (c.1560/61-1617)  Anthony Holborne (c.1545-1602)     Johann Herman Schein (1586-1630)      John Dowland (c.1563-1626)   Didier Lupi Second (fl. mid-16th c.) Jan Pieterszoon Sweelinck (?1562-1621)  Johann Sommer (1570-1627) Dowland  Anónimo (15th-16th c.)  Ureli Corelli Hill (?1802-1875) Thomas Hastings (1784-1872)  Benjamin Baker (1811-1889) & Lucien Southard (1827-1881)  Thomas Campion (1567-1620)   Thomas Morley (ca.1557-1602) Any video-taping or recording of tonight’s performance is prohibited without the expressed written consent of the ensemble directors and the School of Music.  About the Ensembles  The ODU Collegium Musicum is a unique ensemble that brings together students and members of the community to study and perform early music from the Medieval, Renaissance, Baroque and Classical periods. A variety of instruments are used, including recorders, crumhorns, viols and guitars. The ensemble recently acquired a consort of Renaissance recorders handmade by Thomas Prescott. The ensemble gives concerts on campus each semester and performs elsewhere in the Hampton Roads region. In addition, the Collegium Musicum performs at the annual Department of Music Madrigal Banquet.    The ODU Sacbut Consort was formed in 2012 after the F. Ludwig Diehn School of Music acquired a quartet of sacbuts handmade specifically for ODU by Mike Corrigan in Kansas City, MO. The quartet consists of an E-flat alto, two B-flat tenors and one F bass. The consort is coached by Mike Hall and performs frequently on and off campus.     The ODU Madrigal Singers is a chamber vocal ensemble made up of music majors and students from other departments in the university. Singing music from around the world and from all time periods, the Madrigal Singers present performances in the fall and spring semesters. In early December, the Madrigal Banquets feature full-course Renaissance meals with costumes and lots of music. Each year, the banquets feature the food and music of a particular region.  Personnel Collegium Musicum Bianca Hall, director  Anne Bell, recorder  Mike Bjorklund, recorder Noah Christianson, percussion Dan Cudney, recorder & guitar Cheyenna Dennison, voice Bianca Hall, recorder & voice Lorelei Meisenheimer, tenor viola da gamba   Sacbut Consort Mike Hall, director  Jordan DiCaprio, cornetto  Sarah Dodge, sacbut Mike Hall, sacbut Patrick Lawson, sacbut Rick Overbaugh, sacbut   Madrigal Singers Bianca Hall, director  Kiara Barnes Janeilla Burns Roy Hadden Sean Hynes Nathanael Maynard Kara McCormick Kory Mcenery Oliver Sealey Linnéa Nelson Ocean Robbins Rebecca Sagendorf Makena Salyer Hassan Smith Maddie Sznoluch Texts & Translations Susanne un jour  Susanne un jour d'amour solicitée par deux viellardz, convoitans sa beauté, fut en son coeur triste et desconfortée, voyant l'effort fait à sa chasteté. Elle leur dict, Si par desloyauté de ce corps mien vous avez jouissance, c'est fait de moy. Si je fay resistance, vous me ferez mourir en deshonneur. Mais j'aime mieux périr en innocence, que d'offenser par peché le Seigneur.     No podrá maravillarse No podrá maravillarse Ninguno de mi tormento, Si supiese lo que siento  Es si mal de mis dolores El mejor bien de mi mal;  En esta vida mortal Yo sufro mil disfavores  Pero quien supiese quál Es cansa de mi tormento, Conoçeria lo que siento.    One day, Susanne's love was solicited by two old men coveting her beauty. She became sad and displeased in her heart, seeing the attempt at her chastity. She said, 'If, dishonourably, from my body you take pleasure, this is done to me. If I resist, you would make me die in disgrace. But I would rather perish innocent, than to offend the Lord with a sin.      You can't be surprised (at) None of my torment, If it were known how sorry I was  It's so bad my pains- The best of my bad;  In this mortal life I suffer a thousand disadvantages  But who knew that She's tired of my torment, I would know how I feel. IVES My God, how endless is thy love! Thy gifts are every evening new; And morning mercies from above, Gently distill like early dew.  Thou spread's the curtain of the night, Great Guardian of my sleeping hours! Thy sov’reign word restores the light, And quickens all my drowsy pow’rs.   LINDEN Jesus, thy boundless love to me, No thought can reach, no tongue declare; Unite my thankful heart to thee, And reign without a rival there.  Thy love! how cheering is its ray!  All pain before its presence flies, Care, anguish, sorrow melt away, Where e’er its healing beams arise.   LEIPSIC While on the verge of life I stand, And view the scenes on either hand, My spirit struggles with my clay, And longs to wing its flight away.  Come, ye angelic guardians come And lead the willing pilgrim home, To know the way to Jesus’ feet, Source of my joys and of your own.  The blissful interview, how sweet, To fall transported at his feet, Rais’d in his arms to view his face, An the full blessings of his grace.  Yet with these prospects full in sight, I’ll wait thy signal for my flight, For while thy service I pursue, I find my heav’n begun below. Texts (cont.) Where are all the beauties now Where are all the beauties now, all harts enchaining? Whither are thy flatt'rers gone with all their feigning? All fled, and thou alone still here remaining.  Thy rich state of twisted gold to baize is turned; Cold as thou art are thy loves that so much burned: Who dye in flatt'rers arms are seldom mourned.  Yet in spite of envy, this be still proclaimed, That none worthier then thyself thy worth hath blamed: When their poor names are lost thou shalt live famed,  When thy story long time hence shall be perused, Let the blemish of thy rule thus be excused, None ever lived more just, none more abused.    Come, cheerful day Come, cheerful day, part of my life, to me; For while thou view'st me with thy fading light, Part of my life doth still depart with thee, And I still onward haste to my last night. Time's fatal wings do ever forward fly, So every day we live a day we die.  But, O ye nights, ordained for barren rest, How are my days deprived of life in you; When heavy sleep my soul hath dispossessed By feigned death life sweetly to renew, Part of my life in that you life deny; So every day we live a day we die.    Fly love that art so sprightly Fly love that art so sprightly to bonny boots uprightly. And when in heaven thou meet him, Say that I kindly greet him, And that his Oriana, True widow maid, still followeth Diana, true widow maid still followeth Diana.  Texts (cont.) 

Collegium Musicum, Sacbut Consort, & Madrigal Singers Spring Concert

https://digitalcommons.odu.edu/cgi/viewcontent.cgi?article=1183&context=musicperformance_ensembles

Collegium Musicum, Sacbut Consort, & Madrigal Singers Spring Concert

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