From Le ventre de l\u27Atlantique and Impossible de grandir to Marianne porte plainte!, going as far back as her early poems and short stories published in journals, Fatou Diome uses recurring patterns of wake, trace and footprints as different forms of physical and ethical engagements in the world. In the process of literary creation, such engagement generates a mobile third location, a space of migrance where various sets of cultural heritages and ethical values undergo reformulation. This paper argues that it is in such a space that Diome locates the emergence of a powerful feminine subjectivity which gained its autonomy by dint of its steps
