As the field around computer-mediated musical interaction drives attention to its sociotechnical, political and epistemological exigencies, it becomes important to be guided by disability studies, and for researchers and designers of accessible digital musical instruments (ADMIs) to foreground the lived experience of disabled musicians. This resonates with the movement to promote disability justice in HCI. In this paper, we introduce a case study of the design of a string-less guitar, which was developed in collaboration with a guitarist who lost his ability to play due to impairment. We present this work as an exploration of the Rashomon effect, a term that refers to the phenomenon of multiple witnesses describing the same event from their own perspective. We argue that the Rashomon effect is a useful way to explore how digital musical instrument (DMI) designers respond to NIME's interdisciplinarity, and to reflect on how we produce and transmit knowledge within our field
