High-order harmonics are ubiquitous in nature and present in electromagnetic,
acoustic, and gravitational waves. They are generated by periodic nonlinear
processes or periodic high-frequency pulses. However, this periodicity is often
inexact, such as that in chirped (frequency-swept) optical waveforms or
interactions with nonstationary matter -- for instance, reflection from
accelerating mirrors. Spectra observed in such cases contain complicated sets
of harmonic-like fringes. We encountered such fringes in our experiment on
coherent extreme ultraviolet generation via BISER, and could not interpret them
using currently available knowledge. Here, we present a comprehensive theory
based on interference of harmonics with different orders fully explaining the
formation of these fringes, which we call alloharmonics. Like atomic spectra,
the complex alloharmonic spectra depend on several integer numbers and bear a
unique imprint of the emission process, which the theory can decipher, avoiding
confusion or misinterpretation. We also demonstrate the alloharmonics in
simulations of gravitational waves emitted by binary black hole mergers.
Further, we predict the presence of alloharmonics in the radio spectra of
pulsars and in optical frequency combs, and propose their use for measurement
of extremely small accelerations necessary for testing gravity theories. The
alloharmonics phenomenon generalizes classical harmonics and is critical in
research fields such as laser mode locking, frequency comb generation,
attosecond pulse generation, pulsar studies, and future gravitational wave
spectroscopy.Comment: 29 pages, 9 figures, 3 table