The aim of this article is to analyze the category of being in relation to the hybrid works
of art on the background of philosophical texts by Luigi Pareyson, Jurij Łotman, Wolfgang
Welsch. My considerations focus on questions — What is the definition of the hybrid
work of art? What is the impact of contemporary culture on the way of being the
hybrid work of art? Do the hybrid works of art reflect the experience of contemporary
reality? My considerations are based on the concrete poetry, book works, book objects
and liberature
