Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that period employ several tropes, and the music often reinforces such images through musical imagery and intertextual references. Moreover, the imagined identities voiced in the songs might have become embodied identities through the performative act of singing. Therefore, for an investigation of the construction of collective identities in songs, the imagological approach can be expanded to musical imagery and take into account cognitive theories explaining the effects of singing
