In this exhibition catalogue, curator Godmer focuses on the disconcerting effect of Laliberté’s interactive and playful installation, which also critiques the museum as an institution. Using examples from the artist’s previous works, Godmer demonstrates how the audience and literature are at the centre of her practice. Includes a list of maxims made up by the artist for her installation (in French only). Text in French and English. Bio-bibliography 3 p.; 3 bibl. ref