Geneviève Cadieux : Canada, XLIV Biennale di Venezia

Abstract

In her analysis of photographic works produced by Cadieux since 1980, Pontbriand examines how they draw the viewer into their field/space and identifies the attachment to the body as a privileged object of representation, borrowing the Lacanian concepts of gap, gaze and the Subject. Biographical notes. 29 bibl. ref