The paper aims to explore the idea of scattered subjectivity in Nico Bleutge’s poetry. Through the analysis of the collection nachts leuchten die schiffe (2017), this study will examine the compositional strategies and the sender configuration of Nico Bleutge’s lyrical writing, contextualizing them in the scene of contemporary german-speaking avant-garde. Referring to Merlau-Ponty’s idea of intercorporeality, as well as to Aby Warburg’s concept of constellation, the contribution intends to demonstrate how in nachts leuchten die schiffe the poet tries to overcome the concept of identity on a content and formal level
