Gislon Dopfel, Costanza

Ramirez, Alvaro

English

Johannes Vermeer\u27s painting, "Lady Seated at a Virginal," invites viewers into an intimate moment frozen in time, where a young woman engages with a musical instrument. However, hidden within the scene lies a profound commentary on societal perceptions of femininity and desire. This paper explores the symbolism within Vermeer\u27s work, particularly the inclusion of another painting within the scene, "The Procuress" by Dirck van Baburen. Through a historical and literary lens, it delves into the evolving portrayal of the procuress archetype, from its origins in Spanish literature to its manifestation in Dutch art. Drawing parallels to the character of Celestina from Fernando de Rojas\u27 "La Celestina," the paper examines how women\u27s agency and linguistic power have been historically feared and suppressed. Ultimately, it argues that Vermeer\u27s painting serves as both a celebration of artistic awareness and a cautionary tale about the manipulation of desire through art and rhetoric

Universität Wien: OJS-Service

The Intellectual Procuress: Celestina’s Legacy and the Rhetoric of Seduction

Dopfel, Costanza

Saint Mary's College of California

The Intellectual Procuress: Celestina’s Legacy and the  Rhetoric of Seduction

https://journals.univie.ac.at/index.php/adv/article/download/6188/6048

The Intellectual Procuress: Celestina’s Legacy and the Rhetoric of Seduction

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Universität Wien: OJS-Service

Saint Mary's College of California