Bahloul, Amir

Jochumsen, Emma Marie Gyldenbrand

Madsen, Arthur Sejr Marin

Markussen, Sarah Helena

Strøm-Hansen, Michael

Vazquez, Monique Teresa Caluza

This paper seeks to examine representation of previously underrepresented groups in Dis- ney’s most recent Star Wars trilogy, in relation to contemporary societal debates regarding progressive representation in media. Through readings of Stuart Hall and Laura Mulvey, the main characters Rey and Finn, were analyzed as representatives for said underrepresented groups. In both instances the characters were found to be often coded within conservative re- gimes of representation with strong stereotypes and ambiguous portrayals which is known for connoting negative readings. Though Rey as a female protagonist has influenced gender dis- course in a positive way, a critical analysis has brought forth, that deep roots of conservative discourse, still permeates the base on which the female leading role is built upon. With Finn it was found that his lack of importance for the plot and flat character development, presented arguments which could well place him as a token character. This argument is furtherly strengthened in the context of Disney marketing him as a black lead character. Through dis- cussion of Rey as a possible Mary Sue, it is debatable whether she is perceived as a token or not. Even though it is difficult to create good representation and even define what good repre- sentation is, Disney’s attempt to create progressive representation, is in conclusion flawed

Star Wars: A New Hope? A research on representation in Disney's latest Star Wars- trilogi

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